Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Bartosch, Roman |
Poetik der Provokation. ”Metal Studies”, ästhetische Wertung und das Spiel mir Bedeutungen in den Songtexten von Hanzel und Gretyl, Cradle of Filth und Rammstein |
2015 |
(Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie |
|
59-76 |
| Cordero, Jonathan |
Unveiling Satan’s Wrath: Aesthetics and Ideology in Anti-Christian Heavy Metal |
2009 |
Journal of Religion and Popular Culture; Toronto |
21 |
1-15 |
| Coulombe, Alexander Paul |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
2018 |
|
|
110 |
| d’Hont, Coco |
“I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist |
2017 |
European Journal of American Studies; London |
12 |
|
| Eckerström, Pasqualina |
Extreme heavy metal and blasphemy in Iran: the case of Confess |
2022 |
Contemporary Islam |
|
|
| Eckerström, Pasqualina |
Putting transgression into context within the complex Saudi heavy metal scene |
2024 |
Metal Music Studies |
10 |
9-26 |
| Epp, André |
Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
343-356 |
| Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
| Hjelm, Titus |
Controversial Metal And Controversial Religion: Theorising The Connections |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
494-502 |
| Höpflinger, Anna-Katharina |
In Red Sneakers to a Black Metal Concert? The “Laws” of the Metal Dress Code between Transgression and Convention |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
55-68 |
