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Emms, R., & Crossley, N. (2018). Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom. The Canadian Review of Sociology; Montreal, 55(1), 111–135.
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Glasper, I. (2009). Trapped in a scene: UK hardcore 1985-1989. London: Cherry Red Books.
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Hay, A. (2018). Phew – What a blizzard! Black metal and the UK popular press. Metal Music Studies, 4(2), 329–341.
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Heley, J., & Welsh, M. (2017). Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands. In J. Riding, & M. Jones (Eds.), Reanimating regions: culture, politics and performance (pp. 26–45). New York & London: Routledge.
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Riches, G. (2016). Use Your Mind? Embodiments of Protest, Transgression, and Grotesque Realism in British Grindcore. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 125–144). New York & London: Routledge.
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Riches, G., & Lashua, B. (2014). Mapping the underground: An ethnographic cartography of the Leeds extreme metal scene. International Journal of Community Music, 7(2), 223–242.
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Riches, G., Lashua, B., & Spracklen, K. (2013). Female, Mosher, Transgressor: A ’Moshography’ of Transgressive Practices within the Leeds Extreme Metal Scene. IASPM Journal, 4(1), 87–100.
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Savigny, H., & Sleight, S. (2015). Postfeminism and heavy metal in the United Kingdom: Sexy or sexist? Metal Music Studies, 1(3), 341–357.
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Spracklen, K., Lucas, C., & Deeks, M. (2014). The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England. Popular Music and Society, 37(1), 48–64.
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