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Anesiadis, A., & Scarpelos, Y. (2023). Heroes of the Metal Underground: The Definitive Guide to 1980s American Independent Metal Bands. Port Townsend: Feral House.
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Basu, S. P. (2011). ”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music. The Visva-Bharati Quarterly: New Series, 20(1-4), 100–114.
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Elflein, D. (2010). Willkommen im Dschungel: Glam, hardcore und metal in Los Angeles. In D. Helms (Ed.), Sound and the city. Populäre Musik im urbanen Kontext. Bielefeld: Transcript Verlag.
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Hassan, N. (2011). ”Girls, girls, girls”? The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years. Popular Music History, 5(3), 243–263.
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Jackson, I. (2020). From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal. Metal Music Studies, 6(3), 299–318.
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Jeske, O. (1997). US metal [2]. IP-Verlag.
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Jeske, O. (1999). US metal [3]. Berlin: IP-Verlag.
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Lew, B., Oimonen, H., Quintana, R., Holt, G., Skolnick, A., & Flynn, R. (2011). Murder in the front row: shots from the Bay Area thrash metal epicenter. Brooklyn: Bazillion Points.
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Mader, M. (1999). New York City Hardcore: the way it was .. Berlin: I. P. Verlag.
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Mader, M. (2011). New York city hardcore. Vol. 2. The Sound of the Big Apple. Berlin: I. P. Verlag.
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