|
|
Bouchet, J. (2015). L’ analyse des paramètres musicaux et narratologiques das l’élaboration d’un récit phonographique épique: l’exemple du ”wiking metal” finlandais. Ph.D. thesis, Université de Bourgogne, Dijon.
|
|
|
|
Christensen, A. (2019). Making Heritage Metal: Faroese Kvæði and Viking Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 107–120). London: Emerald.
|
|
|
|
Cunha Albuquerque, M. da, & Gallindo Gonçalves Silva, D. (2016). Para uma recepção do medievo: a temática viking no heavy metal (1988-1990). Revista de História Comparada, 10(1), 230–261.
|
|
|
|
González, O. T. (2019). We Came and Conquered: The Complexities of Viking Metal Music and Culture. Ph.D. thesis, California State University, Long Beach.
|
|
|
|
Hawkins, S., & Pettipiece, T. (2024). Hammer of the gods: The heavy metal reception and reforging of Thor. Metal Music Studies, 10(3), 217–232.
|
|
|
|
Helden, I. von. (2010). Barbarians and literature: Viking metal and its links to old Norse mythology. In N. Scott (Ed.), The metal void: first gatherings (pp. 257–264). Oxford: Inter-Disciplinary Press.
|
|
|
|
Hoad, C. (2013). ’Hold the Heathen Hammer High’ Viking metal from the local to the global. In O. Wilson, & S. Attfield (Eds.), Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM Australia/New Zealand Conference. (pp. 62–70). Dunedin: International Association for the Study of Popular Music.
|
|
|
|
Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
|
|
|
|
Manea, I. - M. (2016). Norse Myth and Identity in Swedish Viking Metal: Imagining Heritage and a Leisure Community. Sociology and Anthropology, 4(2), 82–91.
|
|
|
|
Sellheim, N. (2016). Black and Viking metal: how two extreme music genres depict, construct and transfigure the (sub-)Arctic. The Polar Record, 52(5), 509–517.
|
|
