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Basu, S. P. (2011). ”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music. The Visva-Bharati Quarterly: New Series, 20(1-4), 100–114.
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Bénard, N. (2012). Les images de guerre dans la musique metal. Entre fascination et dénonciation. Societes, 117(3), 113–128.
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Chaker, S. (2006). ”This means war”. Krieg – Zentrales Inhaltsmonument in Black und Death Metal. In D. der S. der Musikwissenschaft, A. Firme, & R. Hocker (Eds.), Von Schlachthymnen und Protestsongs: zur Kulturgeschichte des Verhältnisses von Musik und Krieg (pp. 229–240). Bielefeld: Transcript.
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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
Abstract: << Terrorizer was the world’s leading extreme music publication from its launch in 1993 to its untimely demise in 2018. Ian Glasper was one of the few constants during the magazine’s twenty-five year reign of terror, and their main correspondent for punk, hardcore and thrash metal (not to mention the occasional death metal band and other surprises along the way), and here – for the very first time – he has collected every single interview of his that ever ran, and even a few that didn’t. >>
(Source: https://www.earthislandbooks.com)
Keywords: Killswitch Engage, Kreator, Life of Agony, Malevolent Creation, Megadeth, Meshuggah, Misfits, Municipal Waste, Napalm Death, Nasty Savage, Nuclear Assault, Obituary, Onslaught, Overkill, Power Trip, Prong, S.O.D., Sacred Reich, Sacrilege, Sepultura, Sheer Terror, Sick Of It All, Six Feet Under, Slayer, Sodom, Strife, Suffocation, Terror, Testament, Therapy?, Toxic Holocaust, Trivium, Vital Remains, Warzone, Witchery
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Heesch, F. (2011). Thor im Metal und im Fantasy-Roman: Zur Asgard-Saga von Manowar und Wolfgang Hohlbein. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 64–88). Oberhausen: Schmenk.
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