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Arp, R. (2012). Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 182–189). West Sussex: John Wiley & Sons.
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Basu, S. P. (2011). ”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music. The Visva-Bharati Quarterly: New Series, 20(1-4), 100–114.
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Bénard, N. (2012). Les images de guerre dans la musique metal. Entre fascination et dénonciation. Societes, 117(3), 113–128.
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Chaker, S. (2006). ”This means war”. Krieg – Zentrales Inhaltsmonument in Black und Death Metal. In D. der S. der Musikwissenschaft, A. Firme, & R. Hocker (Eds.), Von Schlachthymnen und Protestsongs: zur Kulturgeschichte des Verhältnisses von Musik und Krieg (pp. 229–240). Bielefeld: Transcript.
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Draus, A. (2023). Retoryka wojenna i ekspresja agresji w twórczości Metalliki (z lat 1983‒1991) [War Rhetoric and the Expression of Aggression in the Works of Metallica (from 1983 to 1991)]. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 15(4), 7–18.
Abstract: “This paper firstly attempts to trace the rhetoric of war – that is, the conventionalized poetic language used primarily by writers of poetry – from ancient times to the present. Secondly, a collection of the most important rhetorical strategies, created from the analysis of this mythical imagination and its European legacy, will serve as a starting point for an interpretation of Metallica’s lyrics from their five major albums released between 1983 and 1991, and of the musical means that create the emotional power of this music.”
(SOURCE: https://studiadecultura.uken.krakow.pl/article/view/10913)
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Elflein, D. (2008). Show No Mercy Oder: All We Are – All We Are We Are – We Are All – All We Need. Journal der Jugendkulturen, 13, 55–66.
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Frandsen, D. (2010). Fuck euphemisms: how heavy metal lyrics speak the truth about war. In N. Scott (Ed.), The metal void: first gatherings (pp. 233–244). Oxford: Inter-Disciplinary Press.
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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
Abstract: << Terrorizer was the world’s leading extreme music publication from its launch in 1993 to its untimely demise in 2018. Ian Glasper was one of the few constants during the magazine’s twenty-five year reign of terror, and their main correspondent for punk, hardcore and thrash metal (not to mention the occasional death metal band and other surprises along the way), and here – for the very first time – he has collected every single interview of his that ever ran, and even a few that didn’t. >>
(Source: https://www.earthislandbooks.com)
Keywords: Killswitch Engage, Kreator, Life of Agony, Malevolent Creation, Megadeth, Meshuggah, Misfits, Municipal Waste, Napalm Death, Nasty Savage, Nuclear Assault, Obituary, Onslaught, Overkill, Power Trip, Prong, S.O.D., Sacred Reich, Sacrilege, Sepultura, Sheer Terror, Sick Of It All, Six Feet Under, Slayer, Sodom, Strife, Suffocation, Terror, Testament, Therapy?, Toxic Holocaust, Trivium, Vital Remains, Warzone, Witchery
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Heesch, F. (2011). Thor im Metal und im Fantasy-Roman: Zur Asgard-Saga von Manowar und Wolfgang Hohlbein. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 64–88). Oberhausen: Schmenk.
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Held, J. M. (2012). “As the War Machine Keeps Turning”: Just War Theory, Pacifism, and the War on Terror. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 171–181). West Sussex: John Wiley & Sons.
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