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Arp, R. (2012). Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 182–189). West Sussex: John Wiley & Sons.
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Basu, S. P. (2011). ”Mouth” For War”: Pro-war Leanings in American Heavy Metal Music. The Visva-Bharati Quarterly: New Series, 20(1-4), 100–114.
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Bénard, N. (2012). Les images de guerre dans la musique metal. Entre fascination et dénonciation. Societes, 117(3), 113–128.
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Chaker, S. (2006). ”This means war”. Krieg – Zentrales Inhaltsmonument in Black und Death Metal. In D. der S. der Musikwissenschaft, A. Firme, & R. Hocker (Eds.), Von Schlachthymnen und Protestsongs: zur Kulturgeschichte des Verhältnisses von Musik und Krieg (pp. 229–240). Bielefeld: Transcript.
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Elflein, D. (2008). Show No Mercy Oder: All We Are – All We Are We Are – We Are All – All We Need. Journal der Jugendkulturen, 13, 55–66.
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Frandsen, D. (2010). Fuck euphemisms: how heavy metal lyrics speak the truth about war. In N. Scott (Ed.), The metal void: first gatherings (pp. 233–244). Oxford: Inter-Disciplinary Press.
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Glasper, I. Terrorized: The Collected Interviews, Volume Two. East Sussex, UK: Earth Island Books.
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Heesch, F. (2011). Thor im Metal und im Fantasy-Roman: Zur Asgard-Saga von Manowar und Wolfgang Hohlbein. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 64–88). Oberhausen: Schmenk.
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Held, J. M. (2012). “As the War Machine Keeps Turning”: Just War Theory, Pacifism, and the War on Terror. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 171–181). West Sussex: John Wiley & Sons.
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Herrera Díaz, F. A. (2017). Metal colombiano: los sonidos de un país en guerra. Bachelor's thesis, Pontificia Universidad Javeriana, Bogotá.
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