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(2002). Rockdetector: A-Z of thrash metal. London: Cherry Red.
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(2004). Apocalyptic unbound: An interpretation of Christian Speed/Thrash Metal Music. In G. N. Lundskow, & C. M. Brown (Eds.), Religious Innovation in a Global Age: Essays on the Construction of Spirituality (pp. 117–137). Jefferson: McFarland.
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(2012). ミュージック・ライフが見たLAメタル. [L.A. Meta in Music Life]. 東京: シンコーミュージック・エンタテイメント.
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(2018). ”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal. In G. Guibert, & C. Rudent (Eds.), Made in France: studies in popular music (pp. 89–104). New York & Oxford: Routledge.
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Abad, L. Á., & Álvarez Lluch, C. M. (2000). Metal XXI & Beyond. València: Avantpress.
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Abarza Baumann, M. (2011). Historia & concepto del black metal. Llinars del Vallès: Quarentena.
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Abbey, E. J., & Helb, C. (Eds.). (2014). Hardcore, punk, and other junk: aggressive sounds in contemporary music. Lanham: Lexington Books.
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Abbott, H., & Ardrey, C. (2018). ”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music. Esprit Créateur; Baltimore, 58(1), 130–143.
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Abraham, I. (2015). Innovation And Standardization In Christian Metalcore: The Cultural Influences Of Church And Market. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 465–473). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Absentology. (2017). Summoning the black flame. Trepaneringsritualen's music and absolute emptiness. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 148–159). St. Louis: Void Front Press.
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