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(2018). ”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal. In G. Guibert, & C. Rudent (Eds.), Made in France: studies in popular music (pp. 89–104). New York & Oxford: Routledge.
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Abad, L. Á., & Álvarez Lluch, C. M. (2000). Metal XXI & Beyond. València: Avantpress.
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Abarza Baumann, M. (2011). Historia & concepto del black metal. Llinars del Vallès: Quarentena.
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Alarcón Ruiz, J. C. (2017). CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017. Bachelor's thesis, Federico Villarreal National University, Lima, República del Perú. Retrieved March 14, 2025, from http://repositorio.unfv.edu.pe/bitstream/handle/UNFV/3804/UNFV_Alarc%C3%B3n%20Ruiz_Juan%20Carlos_T%C3%ADtulo%20Profesional_Antropolog%C3%ADa_2019.pdf?sequence=1&isAllowed=y
Abstract: This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture.
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Anastasiadis, M., & Kleiner, M. S. (2011). Politik der Härte! Bausteine einer Popkulturgeschichte des politischen Heavy Metal. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 393–410). Münster: Lit.
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Anselmi, J. J. (2020). Doomed to fail: the incredibly loud history of doom, sludge, and post-metal. Los Angeles: Rare Bird Books.
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Avelar, I. (2001). Defeated Rallies, Mournful Anthems, and the origins of Brazilian Heavy Metal. In C. A. Perrone, & C. Dunn (Eds.), Brazilian Popular Music & Globalization (pp. 123–135). Gainesville: University of Florida Press.
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Avelar, I. (2003). Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound. Journal of Latin American Cultural Studies, 12(3), 329–346.
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Azevedo, C. (2007). Subg??neros De Metal No Rio De Janeiro A Partir Da D??Cada De 1980. Cadernos do Colóquio, 7(1).
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Aznar, T. (2014). Hard rock & heavy metal: 40 années de purgatoire 2. Rosières-en-Haye: Camion blanc.
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