Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Bardine, Bryan A. |
From Sabbath to Slayer: using metal in the writing classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Bayer, Gerd |
Metal documentaries: the national, the global, and the cosmopolitan |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Ebert, Kevin |
But that doesn’t help me on guitar!: Unraveling the myth of the self-taught metal guitarist |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Elovaara, Mika |
Thor and trolls, flutes and fiddles: ”folk” in metal |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Epp, André |
Diversity in Metal Politics |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Hendricks, C.C. |
Bang your head to the ‘beat’ of non-conformity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Varas-Díaz, Nelson; Mendoza, Sigrid; Rivera, Eliot; González, Osvaldo |
Metal as a vehicle for critical culture in Latin America and the Caribbean: challenging traditional female gender roles through music |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Wallach, Jeremy; Clinton, Esther |
The horror and the allure: metal, power, gothic literature, and multisubjectivity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
