| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Clinton, Esther; Wallach, Jeremy |
Talking Metal: The Social Phenomenology of Hanging Out |
2016 |
Heavy Metal Music and the Communal Experience |
|
37-56 |
|
|
|
Hickam, Brian |
A Shared Madness: The Joint Ownership of Heavy Metal History and Studies |
2016 |
Heavy Metal Music and the Communal Experience |
|
185-202 |
|
|
|
Kahn-Harris, Keith |
Do Metal Scenes Need Retirement Homes? Care and the Limitations of Metal Community |
2016 |
Heavy Metal Music and the Communal Experience |
|
171-184 |
|
|
|
Karjalainen, Toni-Matti |
Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community |
2016 |
Heavy Metal Music and the Communal Experience |
|
59-78 |
|
|
|
Rowe, Paula |
”We’re in this Together and We Take Care of our Own”: Narrative Constructions of Metal Community Told by Metal Youth |
2016 |
Heavy Metal Music and the Communal Experience |
|
79-98 |
|
|
|
Scott, Niall W.R. |
Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House |
2016 |
Heavy Metal Music and the Communal Experience |
|
23-36 |
|
|
|
Spracklen, Karl |
What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal |
2016 |
Heavy Metal Music and the Communal Experience |
|
151-168 |
|
|
|
Varas-Díaz, Nelson |
Heavy Metal and the Communal Experience: An introduction |
2016 |
Heavy Metal Music and the Communal Experience |
|
vii-xiii |
|
|
|
Varas-Díaz, Nelson; Mendoza, Sigrid; Morales, Eric |
Porous Communities: Critical Interactions between Metal Music and Local Culture in the Caribbean Context |
2016 |
Heavy Metal Music and the Communal Experience |
|
101-124 |
|
|
|
Venkatesh, Vivek; Nelson, Bradley J.; Thomas, Tieja; Wallin, Jason J.; Podoshen, Jeffrey S.; Thompson, Christopher; Jezer-Morton, Kathryn; Rabah, Jihan; Urbaniak, Kathryn; St-Laurent, Méi-Ra |
Exploring the Language and Spectacle of Online Hate Speech in the Black Metal Scene: Developing Theoretical and Methodological Intersections between the Social Sciences and the Humanities |
2016 |
Heavy Metal Music and the Communal Experience |
|
127-150 |
|
