| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
|
|
|
Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
|
|
|
Jiggens, Rebecca; Shadrack, Jasmine Hazel |
Fools Gather ’Round to Watch Me Bleed: Disability, Isolation, and Participation in Metal’s Communities of Aesthetic Practice |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
38-51 |
|
|
|
Juniper, Steff |
Disabled Drone: Trans-Feminist Noisecraft |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
52-65 |
|
|
|
Messick, Kyle J. |
The Psychology of Metal Music, Culture, and Dis/ability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
66-79 |
|
|
|
Quinn, Kate; Barton, Samantha |
Neurodiversity and Heavy Metal Music |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
80-94 |
|
|
|
Smialek, Eric; Bassler, Samantha |
Dis-ruptions: Heavy Metal Appropriations of Disability in Media |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
95-112 |
|
|
|
Squires, Vik J. |
Stimming in the Pit: How Autistic Heavy Metal Fans Have Remained Unseen |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
113-125 |
|
|
|
States, Dawn |
The Bone Ballet: An Examination in the Intersectionality of Metal, Ballet, and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
126-139 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Dis/Abling Narratives of Indigenous Bodies through Decolonial Metal Music in Latin America |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
140-161 |
|
