| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Andrews, Ben; Bennett, Pete |
No direction home: ‘The Home of Metal’ and unreconstructed and unaccommodated man |
2015 |
Metal Music Studies |
1 |
197-210 |
|
|
|
Anttonen, Salli |
‘Hypocritical bullshit performed through gritted teeth’: Authenticity discourses in Nickelback’s album reviews in Finnish media |
2016 |
Metal Music Studies |
2 |
39-56 |
|
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
|
Bardine, Bryan; Clinton, Esther |
Metal and Cultural Impact |
2016 |
Metal Music Studies |
2 |
259-262 |
|
|
|
Barnett, Brett A. |
Black Sabbath’s pioneering lyrical rhetoric: Tragic structure and cathartic potential in song narratives |
2017 |
Metal Music Studies |
3 |
81-96 |
|
|
|
Barratt-Peacock, Ruth |
Heavy metal made for children? Interrogating the adult/child divide in Heavysaurus’s heavy metal humour |
2022 |
Metal Music Studies |
8 |
293-308 |
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
|
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
|
Berkers, Pauwke; Schaap, Julian |
YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers |
2015 |
Metal Music Studies |
1 |
303-318 |
|
