Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
| Bell, Albert |
Metal in a micro island state: an insider’s perspective |
2011 |
Metal rules the globe: heavy metal music around the world |
|
271-293 |
| Bendrups, Dan |
Nako: the metal in the marrow of Easter Island music |
2011 |
Metal rules the globe: heavy metal music around the world |
|
313-332 |
| Greene, Paul D. |
Electronic and affective overdrive: tropes of transgression in Nepal’s heavy metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
109-134 |
| Hagen, Ross |
Musical style, ideology, and mythology in Norwegian black metal |
2011 |
Metal rules the globe: heavy metal music around the world |
|
180-199 |
| Hochhauser, Sharon |
The marketing of Anglo-identity in the North American hatecore metal industry |
2011 |
Metal rules the globe: heavy metal music around the world |
|
161-179 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
| Kawano, Kei; Hosokawa, Shuhei |
Thunder in the Far East: the heavy metal industry in 1990s japan |
2011 |
Metal rules the globe: heavy metal music around the world |
|
247-270 |
| Muršic, Rajko |
Noisy crossroads: metal scenes in Slovenia |
2011 |
Metal rules the globe: heavy metal music around the world |
|
294-312 |
| Waksman, Steve |
Arenas of the imagination: global tours and the heavy metal concert in the 1970s |
2011 |
Metal rules the globe: heavy metal music around the world |
|
227-246 |
