| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
DiBernardo, Sabatino |
Heavy Metal’s Ironic Edge: Distortion, Demonization and Noise Control |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
195-212 |
|
|
|
Dyck, Kirsten |
The (Un)Popularity of White-Power Music |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
157-176 |
|
|
|
Gardenour Walter, Brenda S. |
Black Metal, Forked Tongue: Satanism, Paganism, and the Persistence of the Medieval |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
115-128 |
|
|
|
Koeppe, Kyle |
Blossoms Will Sprout from the Carcass: Ecological Thinking in American Black Metal |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
213-227 |
|
|
|
Maskell, Shayna |
Noise as Power: Bad Brains and the Aesthetics of Race in Hardcore Punk |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
30-44 |
|
|
|
Neilson, Tai |
Where Myth and Metal Collide: Finnish Folk Metal |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
129-142 |
|
|
|
Piotrowska, Anna G. |
Scandinavian Heavy Metal as an Intertextual Play with Norse Mythology |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
101-114 |
|
|
|
Porrovecchio, Alessandro |
The Bodies of Metal: Imaginaries, Aesthetics and Shadows |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
45-58 |
|
|
|
Rodríguez-Hernández, Saúl Mauricio |
”In the Name of Satan”: Violence, Extreme Metal and Young People in Colombia in the ’80s and ’90s |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
143-156 |
|
|
|
Sturm, Damion |
Elitist Aesthetics: Extreme Metal Fans as Taste-Makers and Gate-Keepers |
2015 |
Music at the Extremes: Essays on Sounds Outside the Mainstream |
|
13-29 |
|
