Author  |
Title |
Year |
Publication |
Volume |
Pages |
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
| Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
| Allain, Florence |
Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours |
2018 |
|
|
|
| Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
| Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
| Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
| Bosselmann-Ruickbie, Antje |
Heavy Metal Meets Byzantium! Contact Between Scandinavia and Byzantium in the Albums ‘The Varangian Way’ (2007) and ‘Stand Up and Fight’ |
2018 |
Menschen, Bilder, Sprache, Dinge: Wege der Kommunikation zwischen Byzanz und dem Westen 2: Menschen und Worte |
|
391-419 |
| Brannigan, Paul; Winwood, Ian |
Nacer, crecer, Metallica, morir |
2018 |
|
|
|
| Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
