Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Agapit, Pierre; Mounier, Caroline |
Réussir ? se démarquer au sein d’un secteur concurrentiel : l’expérience festivalière au service des festivals. Le cas du Motocultor Festival Open Air |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
135-162 |
| Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
| Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
|
|
|
| Bajko, Marcin |
Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
9-28 |
| Benefield, Adam J. |
Working with Metal: The Stylistic Characteristics of the Swedish Band Meshuggah and an Original Composition Inspired by Their Work |
2020 |
|
|
|
| Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
| Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
|
|
|
| Bohn, Dorothee; Bernardi, Cecilia de |
Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air |
2020 |
Annals of Leisure Research |
(accepted) |
|
| Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
| Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
