Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
| Beach, James, R.; Naron, Brian L. |
Beyond the Black: The Story of Metal Church |
2024 |
|
|
|
| Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
| Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2024 |
|
|
|
| Calvo, Manuela Belén |
El metal en Argentina: disputas espacio-temporales de una escena musical |
2024 |
DEBATS |
138 |
77-91 |
| Clinton, Esther; Wallach, Jeremy |
“United We Never Shall Fall”: Metal and Disability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
9-22 |
| Fessenden, Jon W. |
Resonant Forms: Autistic Hearing and Heavy Metal Aesthetics |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
23-37 |
| García-Peinazo, Diego |
Fantasías intertextuales: los tracks introductorios de las bandas de metal épico y sinfónico en los albores del siglo XXI |
2024 |
Análisis musical y musicología: juego de espejos |
|
207-218 |
| Gremsl, Thomas |
“Law(s) of the Metal Scene” – Not Laws, But Values, Norms, and Principles |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
43-54 |
| Heaton, Brian J.; Naron, Brian L. |
Roads to Madness: The Touring History of Queensrÿche (1981-1997) |
2024 |
|
|
|
