Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Addergebroed |
Addergebroed Book II: 2021 – 2024 |
2024 |
|
|
|
| Aguilar Mirandas, Jackeline Nohelia |
La presencia de las chicas en la escena hardcore punk cochabambino |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
209-226 |
| al-Soukkary, Wael |
Egypt’s folk devils? Metal music as a pious alternative for Egyptian metal fans |
2024 |
Metal Music Studies |
10 |
183-200 |
| Apaza Terceros, Carmen Julia (Juka) |
Chicas heavies: La mujer músico en el metal boliviano |
2024 |
La Fuerza, Influencia y Tensiones de las Mujeres del Underground/Metal Boliviano |
|
99-134 |
| Arias, Rafael |
La conexión ancestral en el arte visual del rock-metal boliviano |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
157-170 |
| Asbury, Louis W. |
Indigenous Metal: Rage, Rejects, and the Reconstruction ofIndigenous Metal: Rage, Rejects, and the Reconstruction of CultureCulture |
2024 |
|
|
|
| Banchs, Edward |
When the Steel City paused: Pittsburgh’s metal scene confronts COVID-19 |
2024 |
Metal Music Studies |
2 |
91-103 |
| Bardine, Bryan; Stueart, Jerome |
How metal scenes dealt with the pandemic: An introduction |
2024 |
Metal Music Studies |
10 |
85-90 |
| Barron, Lee |
Anti-sacred fashion: The use of profane performative costumes in the black metal music and performances of Nergal and Behemoth |
2024 |
Fashion, Style & Popular Culture |
Online first |
|
| Beach, James, R.; Naron, Brian L. |
Beyond the Black: The Story of Metal Church |
2024 |
|
|
|
