Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Alecrim, Thales Reis |
A mosaic in the mirage: Alienation, malaise and metal music in the neo-liberal age |
2025 |
Metal Music Studies |
11 |
91-108 |
| Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
1-14 |
| Bainbridge, Alan; Scholes, Stephen C. |
Why are you still talking about Black Sabbath? Spotting the music buff charlatans in playlists of contemporary heavy metal music |
2025 |
Psychology of Education Review |
49 |
39-42 |
| Balfe, Myles |
Abjection in Nirvana’s “In Utero” |
2025 |
Deviant Behavior |
Lates Articles |
s.p. |
| Banchs, Edward |
A reflection on “Metal Rules the Globe: Heavy Metal Music around the World” |
2025 |
Metal Music Studies |
11 |
165-168 |
| Barratt-Peacock, Ruth; Herbst, Jan-Peter |
The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach |
2025 |
Metal Music Studies |
11 |
65-89 |
| Bénard, Charlène |
Reflecting on Rosemary Lucy Hill’s “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” |
2025 |
Metal Music Studies |
11 |
179-182 |
| Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
415-430 |
| Boulton, Brooke |
Unbreakable truths? Revisiting Deena Weinstein’s “Heavy Metal: The Music and Its Culture” |
2025 |
Metal Music Studies |
11 |
111-115 |
| Brown, Andy R. |
Songs in the Key if Depression, Suicid and Death. Or How Metal Musicians Sustained a Dialogue of Community with Their Fans in a Period of Moral Panic about Heavy Metal Music |
2025 |
Musik und Suizidalität: Interdisziplinäre Perspektiven |
|
79-102 |
