Author  |
Title |
Year |
Publication |
Volume |
Pages |
|
Commodifying Extremity: Extreme Metal and the Global Music Industry |
2026 |
Stony Brook Undergraduate History Journal |
11 |
|
| Abbott, Amory |
Old-Growth Gothic : Dark Romanticism and the Aesthetics of Cascadian Black Metal – an Artist’s Perspective |
2026 |
Meta/Metal Open Questions in Metal Studies |
|
170-191 |
| Béra, Camille F. |
Why Does It Sound So Gloomy? A Musicological Approach to Black Metal’s Negativity |
2026 |
Meta/Metal Open Questions in Metal Studies |
|
99-111 |
| Bing Lin; Han Li |
Genre-specific dynamics: cross-lagged panel networks of music preferences, emotional exhaustion, and well-being during COVID-19 |
2026 |
Current Psychology |
45 |
n1055 |
| Boman, Björn |
Masks In Music and Film: Perspectives from the West and East Asia |
2026 |
|
|
VIII, 159 |
| Boman, Björn |
The First Wave of Masks in Rock and Heavy Metal and Their Successors |
2026 |
Masks In Music and Film: Perspectives from the West and East Asia |
|
103-119 |
| Boman, Björn |
Masks, Slipknot, and Nu-metal: Beyond Transformation, Originality, and Mimicking |
2026 |
Masks In Music and Film: Perspectives from the West and East Asia |
|
121-134 |
| Brown, Andy R. |
Introduction: A Purple passage or a lasting legacy? |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
1-30 |
| Brown, Andy R. |
Darker Than Blue, the DPAS and Simon Robinson: Master of the Purple Back Catalogue |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
273-304 |
| Brown, Andy R. (ed) |
Who Do We Think They Are? Deep Purple and Metal Studies |
2026 |
|
|
|
