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Banchs, E. (2021). From The Ashes of the Fallen Empire: Heavy Metal and Community in Post-Apartheid South Africa. In B. A. Bardine, & J. Stueart (Eds.), Living Metal: Metal Scenes around the World. Bristol: Intellect Books.
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Banchs, E. (2022). Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa. Bristol: Intellect.
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Banchs, E. (2023). Ancient, Evil, and African: Heavy Metal and Conflict in East Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 283–302). London: Lexington Books.
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Epp, A. (2011). Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 343–356). Münster: Lit.
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Epp, A. (2015). Gemeinsamkeiten im politischen Heavy Metal? Eine regionale Gegenüberstellung der politischen Dimension von Heavy Metal in der MENA-Staaten und on westlichen Ländern. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 151–165). Trier: Wvt.
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Hoad, C. (2014). ”Ons is saam” – Afrikaans metal and rebuilding whiteness in the Rainbow Nation. International Journal of Community Music, 7(2), 189–204.
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Knopke, E. (2015). ”Redykyulass Generation Light”. Metal und Politik in Kenia. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 135–150). Trier: Wvt.
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Le Vine, M. (2023). “We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 115–136). London: Lexington Books.
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LeVine, M. (2009). Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China. Copenhague: Freemuse.
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Silva, M. A. dos S., & Sá, S. P. de. (2014). Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano. Comunicação Mídia E Consumo, 11(31), 65–81.
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