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Busey, S. D. (2018). Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children. Ann Arbor: University of Nevada.
Abstract: Historians have long overlooked and misunderstood the Parents Music Resource Center, an activist group formed in 1985 to correct perceived excesses in heavy metal music. Scholars have focused their analyses almost exclusively on the First Amendment implications of the group’s actions, largely dismissing the PMRC in the process. This thesis argues that by expanding the historical analysis of the group to include the social and political climate of previous generations and of the 1980s, the self-stated goals of the PMRC, and a musicological discussion of heavy metal and why the group specifically targeted this genre, we can see that the PMRC was in fact an incredibly influential sociopolitical activist group that is representative of the political shift in the United States in the 1980s.
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LeVine, M. (2009). Headbanging Against Repressive Regimes: Censorship of Heavy Metal in the Middle East, North Africa, Southeast Asia and China. Copenhague: Freemuse.
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Shank, B. (1996). Fears of the White Unconscious: Music, Race, and Identification in the Censorship of “Cop Killer”. Radical History Review, 1996(66), 124–145.
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Walser, R. (1993). Professing Censorship: Academic Attacks On Heavy Metal. Journal of Popular Music Studies, 5(1), 68–78.
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Wehrli, R. (2012). Verteufelter Heavy Metal: Skandale und Zensur in der neueren Musikgeschichte. Münster: Telos.
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Zuleta Rodríguez, J. E. (2022). GUERRA Y METAL. UN ANÁLISIS HISTÓRICO DE LA CENSURA Y LA VIOLENCIA EN CONTRA DEL METAL EN EL DEPARTAMENTO DE QUICHÉ, GUATEMALA. Metal de Habla Hispana, 1, 56–59.
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