toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Aldis, N., & Sherry, J. (2006). Heavy metal thunder: album covers that rocked the world. London: Mitchell Beazley.
toggle visibility
Barratt-Peacock, R., & Hagen, R. (Eds.). (2019). Medievalism and Metal Music Studies: Throwing down the gauntlet. London: Emerald.
toggle visibility
Campos, C. (2011). Metal & Hardcore Graphics: extreme artworks from the underworld. Barcelona: Fkg.
toggle visibility
Gulden, T., Sjøvoll, V., Berg, A., & Hjort af Ornäs, V. (2015). What Is Black In Black Metal? Elucidating The Darkness In Album Covers Thrugh Panofsky’S Picture Analysis. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 483–493). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
toggle visibility
Núñez, M. de la L. (2023). Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas. UCOARTE. Revista De Teoría E Historia Del Arte, 12, 236–260.
toggle visibility
Popoff, M., & Dome, M. (2017). Tout l’art du metal. Paris: Huginn & Muninn.
toggle visibility
Popoff, M., & Riggs, D. (2006). Run for cover: the art of Derek Riggs. Salt Lake City: Aardvark Pub.
toggle visibility
Riddick, M. (2008). Rotten Renderings: the Art of Mark Riddick. Ashburn: Www.Riddickart.Com.
toggle visibility
Vestergaard, V. (2016). Blackletter logotypes and metal music. Metal Music Studies, 2(1), 109–124.
toggle visibility
Vestergaard, V. (2019). Medieval Media Transformations and Metal Album Covers. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 21–34). London: Emerald.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print