|
|
Bahy, C., dos Passos, C., Khalia, L. M. G., & Barchi, R. (Eds.). (2021). Música Extrema. Ruídos, imagens e sentidos. São Paulo: Pimenta Cultural.
|
|
|
|
Barchi, R. (2021). O que a Música Extrema tem a dizer às ecologias? In Diálogos com a música extrema (pp. 221–246). Porto Alegre: editorafi.org.
|
|
|
|
Collinson, I. (2019). ‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal. In C. Hoad (Ed.), Australian Metal Music (pp. 129–144). London: Emerald.
|
|
|
|
Dederichs, N. (2015). Grün ist das neue Schwarz. Environ-Metal als Ausdruck umweltpolitisches Protests. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 89–106). Trier: Wvt.
|
|
|
|
Granholm, K. (2012). Metal, the End of the World, and Radical Environmentalism: Ecological Apocalypse in the Lyrics of Earth Crisis. In C. Partridge (Ed.), Anthems of Apocalypse: Popular Music and Apocalyptic Thought. Sheffield: Sheffield Phoenix Press.
|
|
|
|
Hassemer, S. M. (2011). Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 263–277). Münster: Lit.
|
|
|
|
Koeppe, K. (2015). Blossoms Will Sprout from the Carcass: Ecological Thinking in American Black Metal. In S. A. Wilson (Ed.), Music at the Extremes: Essays on Sounds Outside the Mainstream (pp. 213–227). Jefferson: McFarland.
|
|
|
|
Koplow Villavicencio, J. (2022). Más que gritos y distorsión: el metal chileno ante la crisis ecológica y el modelo económico extractivista. Lenguas Radicales, 1(4), 42–51.
|
|
|
|
Lucas, O. R. (2019). ‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist. Popular Music; Cambridge, 38(3), 481–497.
|
|
|
|
Paganus, A. (2022). Quando o Diabo veste verde: o vegetarianismo e a natureza ecoando no underground. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 38–74). São Paulo: Pimenta Cultural.
|
|
