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Brown, A. R., Titus. (2013). Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 17–35). Bristol: Equinox.
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Evangelista Ávila, J. L. (2021). Lo infernal y lo demoníaco como formas de subjetividad. Una lectura de las composiciones de Luzbel a partir de Kierkegaard y Sartre. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 121–127). Buenos Aires: Clara Beter Ediciones.
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Gruszka, A. (2015). Koncert zespolu Behemoth jako performans artystyczny. In J. Osiński, M. Pranke, P. Tański, & A. Szwagrzyk (Eds.), Kultura rocka 1. Twórcy, tematy, motywy (1) (pp. 290–302). Toruń: ProLog.
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Gruszka, A. (2019). Koncert zespolu Behemoth jako performans artystyczny. In J. Osiński, M. Pranke, & P. Tański (Eds.), Kultura rocka 1. Twórcy, tematy, motywy (pp. 229–238). Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.
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Hereld, D. C. (2016). Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music. Master's thesis, University of California, San Diego, .
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Hill, R. (2011). Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance. In C. A. McKinnon, N. Scott, & K. Sollee (Eds.), Can I play with madness? Metal, dissonance, madness and alienation (pp. 143–154). Oxford: Inter-Disciplinary Press.
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Hill, R. L. (2011). Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community. Journal for Cultural Research, 15(3), 297–313.
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Hughes, M. (2017). Is affiliation with alternative subcultures associated with self-harm? Doctoral thesis, University of Liverpool (United Kingdom), Ann Arbor.
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Khalil, L. M. G. (2021). O Death Metal e a desnaturalização do demoníaco sob a perspectiva do ethos discursivo. In R. Barchi (Ed.), Diálogos com a música extrema (pp. 96–120). Porto Alegre: editorafi.org.
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Klypchak, B. (2016). Same as it Never Was: Machinations of Metal and Memory. In G. Riches, D. Snell, B. Bardine, & B. G. Walter (Eds.), Heavy Metal Studies and Popular Culture. New York: Palgrave Macmillan UK.
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