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Bénard-Goutouly, N. (2013). Le métal folklorique, entre tradition et modernité: sources d’inspiration, rites et postures idéologiques. Rosieres en Haye: Camion Blanc.
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Carter, M. (2016). Perchten and krampusse: living mask traditions in austria and bavaria. Ph.D. thesis, University of Sheffield (United Kingdom), .
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Christensen, A. (2019). Making Heritage Metal: Faroese Kvæði and Viking Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 107–120). London: Emerald.
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Dendinger, R. (2015). The way of the sword: Christianity, fascism, and the folk magic of black metal. Helvete: A Journal of Black Metal Theory, 2, 29–38.
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Doesburg, C. (2021). The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music. Ph.D. thesis, University of London, London.
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Elovaara, M. (2017). Thor and trolls, flutes and fiddles: ”folk” in metal. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Fredriksson, D. (2021). “Not Folk Metal, but...” Online intercultural musicking in “the Grove”. Svensk tidskrift för musikforskning [Swedish Journal of Music Research], 103, 111–126.
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Giosuè, F. (2013). Folk metal : dalle origini al Ragnarök. Falconara Marittima: Edizioni crac.
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Hofmann, A. (2020). Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres. Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak, 15(1), 73–91.
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Kallioniemi, K., & Kärki, K. (2009). The Kalevala, Popular Music, and National Culture. Popular Music, 13(2), 12.
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