|
|
Barchi, R. (2022). Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore. In C. Bahy, C. dos Passos, L. M. G. Khalia, & R. Barchi (Eds.), Música Extrema: ruídos, imagens e sentidos (pp. 314–343). São Paulo: Pimenta Cultural.
|
|
|
|
Glitsos, L. (2020). “Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community. Popular Music and Society, 43(1), 93–113.
|
|
|
|
Hjelm, T., Kahn-Harris, K., & LeVine, M. (Eds.). (2013). Heavy metal: controversies and countercultures. Bristol: Equinox.
|
|
|
|
Kitteringham, S. (2014). Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore. Ph.D. thesis, University of Calgaru, Calgary.
|
|
|
|
Lee, L. (2009). The brutal truth: Grindcore as the extreme realism of heavy metal. In G. Bayer (Ed.), Heavy metal music in Britain (pp. 53–70). Surrey: Ashgate.
|
|
|
|
Mudrian, A. (2004). Choosing Death: The Improbable History of Death Metal & Grindcore. Los Angeles: Feral House.
|
|
|
|
Nohr, R. F., & Schwaab, H. (Eds.). (2011). ”Metal matters”. Heavy Metal als Kultur und Welt. Münster: Lit.
|
|
|
|
Overell, R. (2010). Brutal belonging in Melbourne’s grindcore scene. In N. K. Denzin (Ed.), Studies in Symbolic Interaction. Vol. 35 (pp. 79–99). Emerald.
|
|
|
|
Overell, R. (2013). ‘[I] hate girls and emo[tion]s’: Negotiating masculinity in grindcore music. In T. Hjelm, K. Kahn-Harris, & M. LeVine (Eds.), Heavy metal: controversies and countercultures (pp. 201–227). Bristol: Equinox.
|
|
|
|
Overell, R. (2015). Brutal belonging in other spaces: grindcore touring in Melbourne and Osaka. In S. Baker, B. Robards, & B. Buttigieg (Eds.), Youth cultures and subcultures: Australian perspectives. Farnham & Burlington: Ashgate.
|
|
