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Davis, A. B., & Sangster, M. (2023). “Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal. European Romantic Review, 34(3), 291–302.
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Doesburg, C. (2021). Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics. Metal Music Studies, 7(2), 317–333.
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Evangelista Ávila, I. I. (2021). La recepción borgiana de At the Gates: refiguraciones, intertextualidades y heavy metal. Impossibilia. Revista Internacional de Estudios Literarios, 21, 237–261.
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Hagen, K. (2021). “If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen. Blake / an Illustrated Quarterly, 54(3), n.p.
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Lajić Mihajlović, D., & Radovanović, B. (2022). Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia. metal music studies, 8(2), 225–243.
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Mora Rioja, A. (2021). “Into the Valley of Death”: A Textual and Musical Analysis of Metal Music’s Adaptation, Appropriation, and Quotation of Poetry in English. Ph.D. thesis, UNED, Madrid.
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Mora-Rioja, A. (2023). Poetry in English and Metal Music. Adaptation and Appropriation Across Media. Cham: Palgrave Macmillan.
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Vunić, K. (2021). Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis). Studia Polensia, 10(1), 115–139.
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