toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Abbott, H., & Ardrey, C. (2018). ”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music. Esprit Créateur; Baltimore, 58(1), 130–143.
toggle visibility
Apergis, C. (2019). Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene. In K. F. B. Fletcher, & O. Umurhan (Eds.), Classical Antiquity in Heavy Metal Music (pp. 77–96). London, New York, Oxford, New Dehli & Sydney: Bloomsbury Academic.
toggle visibility
Ardrey, C. (2021). Baudelaire and Black Metal: Performing Poetry under Perestroika. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 27–45). London: Emerald.
toggle visibility
Bajko, M. (2020). Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 9–28). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
toggle visibility
Bardine, B. A. (2015). Metal and Gothic Literature: Examining the Darker Side of Life (and Death). In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 572–581). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
toggle visibility
Bardine, B. A. (2017). From Sabbath to Slayer: using metal in the writing classroom. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
toggle visibility
Bartosch, R. (Ed.). (2011). Heavy Metal Studies: Lyrics und Intertextualität. Oberhausen: Schmenk.
toggle visibility
Bielmann, D. (2011). Sympathie für den Teufel: Deutsche Literatur als Vorlage für Heavy Metal-Lyrics. In R. Bartosch (Ed.), Heavy Metal Studies: Lyrics und Intertextualität (pp. 141–153). Oberhausen: Schmenk.
toggle visibility
Bolay, J. (2019). ‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost. Metal Music Studies, 5(1), 5–20.
toggle visibility
Botero Camacho, M., & Picón del Campo, N. (2017). A Twist in the Song: Retracing Myth and Dante´s Poem in Heavy Metal Music. Revista ICONO14, 15(1), 166–185.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print