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Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
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Lucas, O. R. (2018). “So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen. Music Theory Online, 24(3).
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Pieslak, J. (2007). Re-casting Metal: Rhythm and Meter in the Music of Meshuggah. Music Theory Spectrum; Oxford, 29(2), 219–223,225.
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Smialek, E. (2009). Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah’s ”I” and ”Catch Thirtythr33.”. Ph.D. thesis, McGill University, Montréal.
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