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(2010). The stylistic history of heavy metal guitar. Cherry Lane: Hal Leonard.
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(2012). Metal drumming concepts: vital beats, exercises, fills, tips & techniques. Milwaukee: Hal Leonard.
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Aledort, A. (1988). Thrashing It Out. Guitar for the Practicing Musician, March.
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Antonieto, T. (2004). O inventor do peso no heavy metal. Cover Guitarra, 120, 42–50.
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Armington, N., & Lofas, L. (1990). The Genesis of Metal. Drums and Drumming, August/September, 21–25;.
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Bechtold, G. (2008). Die Heavy Metal Kultur in bildender Kunst und Musik: Fachwissenschaftliche und fachdidaktische Aspekte. Saarbrücken: VDM Verl. Dr. Müller.
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Berger, H. M. (1997). The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer. Ethnomusicology; Champaign, 41(3), 464–488.
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Berger, H. M. (1999). Death metal tonality and the act of listening. Popular Music, 18(2), 161–178.
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Berger, H. M. (1999). Metal, rock, and jazz: perception and the phenomenology of musical experience. Delaware: Wesleyan University Press.
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Berger, H. M., & Fales, C. (2005). ”Heaviness” in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features. In P. D. Greene, & T. Porcello (Eds.), Wired for sound: engineering and technologies in sonic cultures (pp. 181–197). Middletown: Wesleyan University Press.
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