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Adamo, N. (2021). “In Black We Are Seen”. Heavy Metal Music in Argentina. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 67–72). Buenos Aires: Clara Beter Ediciones.
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Alasia, E. (2020). The Reason Behind My Writing: Another Day of Being. In E. Scaricaciottoli, N. Varas-Díaz, & D. Nevárez Araujo (Eds.), Heavy Metal Music In Argentina: in black we are seen. (pp. 72–83). Chicago: University of Chicago Press.
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Aquino Ruiz, F. (2015). Radicalizing the Resistance: The Representation of Political Identities in the Heavy Metal Community of Puerto Rico Via the Production of Radio Shows. In Modern Heavy Metal: Markets, Practices and Cultures (pp. 88–94). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Araste, L. (2010). Communication function in the Estonian metal subculture. In R. Hill, & K. Spracklen (Eds.), Heavy fundametalisms: music, metal and politics (pp. 103–109). Oxford: Inter-Disciplinary Press.
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Arboleda, J. C. (2016). Narrar o mal para compreender a tragédia na Colômbia: a banda Masacre e a violência. Líbero, 19(37), 81–92.
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Ardrey, C. (2021). Baudelaire and Black Metal: Performing Poetry under Perestroika. In R. - L. Valijärvi, C. Doesburg, & A. DiGioia (Eds.), Multilingual Metal Music: sociocultural, linguistic and literary perspectives on heavy metal lyrics. (pp. 27–45). London: Emerald.
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Avelar, I. (2001). Defeated Rallies, Mournful Anthems, and the origins of Brazilian Heavy Metal. In C. A. Perrone, & C. Dunn (Eds.), Brazilian Popular Music & Globalization (pp. 123–135). Gainesville: University of Florida Press.
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Avelar, I. (2003). Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound. Journal of Latin American Cultural Studies, 12(3), 329–346.
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Avelar, I. (2009). Genealogías y Contrastes en el Heavy Metal Brasileño. TodaVÍA, 21, 62–67.
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Avelar, I. (2011). Otherwise national: locality and power in the art of Sepultura. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 135–160). Durham: Duke University Press.
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