|
Algora, A. F. (2019). Filosofía e historia del pensamiento en el heavy metal y músicas afines. Una aproximación. In F. Galicia Poblet (Ed.), Heavy y metal, a través del cristal. Nuevas perspectivas culturales (pp. 29–52). Madrid: Apache Libros.
|
|
|
Arp, R. (2007). Believer, Deceiver: Metallica, Perception, and Reality. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 163–172). Malden & Oxford: Blackwell.
|
|
|
Arp, R. (2012). Stop Stereotyping Sabbath: Sex, Subjugation, and Stupidity. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 182–189). West Sussex: John Wiley & Sons.
|
|
|
Baďurová, B. (2021). Philosophical Poetry in Metal Music (with Focus on Bands From Central Slovakia). Studia Polensia, 10(1), 23–42.
|
|
|
Bogue, R. (2004). Becoming Metal, Becoming Death. In Deleuze’s Wake: Tributes and Tributaries (pp. 83–108). New Yoork: SUNY Press.
|
|
|
Bogue, R. (2004). Violence in Three Shades of Metal : Death, Doom and Black. In I. Buchanan, & M. Swiboda (Eds.), Deleuze and Music (pp. 95–117). Ediinburgh: Edinburgh University Press.
|
|
|
Bondarchuk, J. (2012). It ’ s Not Sabbath Unless Ozzy ’ s the Singer (But It ’ s Fine If You Disagree). In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 113–125). West Sussex: John Wiley & Sons.
|
|
|
Bremer, M., & Cohnitz, D. (2012). Saint Vitus Dance: The Art of Doom. In W. Irwin (Ed.), Black Sabbath and Philosophy: Mastering Reality (pp. 87–95). West Sussex: John Wiley & Sons.
|
|
|
Brooks, T. (2007). Ride the Lightning: Why Not Execute Killers? In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 127–134). Malden & Oxford: Blackwell.
|
|
|
Calef, S. (2007). To Live is to Die: Metallica and the Meaning of Life. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 101–116). Malden & Oxford: Blackwell.
|
|