|
|
Andrew Klein. (2018). Blood, Frets and Tears.
Abstract: “Blood, Frets and Tears” is the exploration of history's gifted guitar players: our Guitar Heroes. From the swing of Charlie Christian's bebop guitar and the psychedelic rock of Jimi Hendrix, to the majestic fire of Eddie Van Halen, join us for a momentous and joyous musical trip in the most definitive celluloid document ever filmed on the sound and soul of the electric guitar. (Amazon.com) /
Director: Andrew Klein; Writers: Andrew KleinBarry Kolsky(story);
Stars: Michael Angelo Batio, Jennifer Batten, Jack Blades, Carlos, Davazo, Lita Ford, Paul Gilbert, Brad Gillis, Bruce Kulick, George Lynch, Tony MacAlpine, Billy Sheehan, and others. / Production Companies: Cut My Flix; Lucky 13 Cinematic; Velocity Films; Distributors: Cut My Flix (2019) (USA) (video); Velocity Films (2019) (USA) (video).
Keywords: Documentary film, Dokken, Eddie Van Halen, George Lynch, Jimi Hendrix, Lita Ford, Lynch Mob, Mr. Big, Paul Gilbert, Quiet Riot, Racer X
|
|
|
|
Barratt-Peacock, R., & Hagen, R. (Eds.). (2019). Medievalism and Metal Music Studies: Throwing down the gauntlet. London: Emerald.
|
|
|
|
Beckwith, K. (2002). ”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene. Colour, 5(3), n.-p.
|
|
|
|
Binder, A. (1993). Constructing racial rhetoric: Media depictions of harm in heavy metal and rap music. American Sociological Review; Washington, 58(6), 753–767.
|
|
|
|
Bona, M. (2021). Vulgar discourses of power: the discursive construction of ideal heavy metal subjectivity and the erasure of black, indigenous, and women of colour in heavy metal music culture. Master's thesis, Saint Mary's University, Halifax.
|
|
|
|
Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
|
|
|
|
Brill, D. (2016). White men’s War of Sound? Sonische und Diskursive Gewalt im Industrial und Extreme Metal. In F. Heesch, & B. Hornberger (Eds.), Rohe Beats, harte Sounds : populäre Musik und Aggression (pp. 105–118). Hildesheim: Georg Olms Verlag.
|
|
|
|
Burns, L. (2020). Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music. American Music Perspectives, 1(2), 98–118.
|
|
|
|
Clinton, E., & Wallach, J. (2015). Recoloring The Metal Map: Metal And Race In Global Perspective. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 274–282). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
|
Czerniak, M. (2017). Black metal: zur Darstellung von People-of-Color im Musikvideo des Metal. Ph.D. thesis, Universität Wien, Vienna.
|
|
