Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Nevárez Araújo, Daniel; Manuel Gagneux |
Misusing Things in Metal Music: A Dialogue |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
201-218 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson |
Lodes of Metal: The Texture and Sound of Memory in Latin American Heavy Metal Documentaries |
2022 |
Music, Sound, and Documentary Film in the Global South |
|
89-112 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Introduction: Of “Metal” and Metal: A Global South Approach to Metal Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
1-6 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Metal Music in the Distorted South: A Call for Defiance and Reflection |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
9-30 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
| Varas-Díaz, Nelson; Nevárez Araújo, Daniel |
Decolonizing the Mind’s Eye: Images of Resistance in Caribbean Metal Music |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
327-350 |
| Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther; Nevárez Araújo, Daniel (eds) |
Defiant Sounds: Heavy Metal Music in the Global South |
2023 |
|
|
|
