Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Banchs, Edward; Bardine, Bryan A.; Chilewska, Anna; Cintrón-Gutiérrez, Luis Javier; Hagen, Ross; Madera, Sheilla R.; Nelson, Bradley J.; Podoshen, Jeffrey; Purves, Robin; Ramos-Pibernus, Alixida; Shadrack, Jasmine Hazel; Scott, Niall W.R.; Varas-Díaz, Nelson; Venkatesh, Vivek; & Wallin, Jason |
On Extremity: From Music to Images, Words, and Experiences |
2023 |
|
|
290 |
| Brown, Andy R.; Spracklen, Karl; Kahn-Harris, Keith; Scott, Niall W.R. |
Introduction: Global Metal Music and Culture and Metal Studies |
2016 |
Global metal music and culture: current directions in metal studies |
|
1-21 |
| Brown, Andy R.; Spracklen, Karl; Scott, Niall W.R.; Kahn-Harris, Keith (eds) |
Global metal music and culture: current directions in metal studies |
2016 |
|
|
|
| O’Boyle, Tom; Scott, Niall W.R. |
The Future of Metal is Bright and Hell Bent for Genre Destruction: A Response to Keith Kahn-Harris |
2016 |
Global metal music and culture: current directions in metal studies |
|
333-342 |
| Scott, Niall W.R. |
Revelation of a documentary triptych: ”Some Kind of Monster”, ”Anvil! The Story of Anvil” and ”Beyond the Lighted Stage” |
2019 |
Heavy metal at the movies |
|
|
| Scott, Niall W.R. |
From ”Parking Lot to Baghdad”: documentary film and global metal discourse |
2019 |
Heavy metal at the movies |
|
|
| Scott, Niall W.R. |
Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House |
2016 |
Heavy Metal Music and the Communal Experience |
|
23-36 |
| Scott, Niall W.R. |
Heavy Metal as Resistance |
2016 |
Heavy Metal Studies and Popular Culture |
|
19-35 |
| Scott, Niall W.R. |
Black Confessions and Absu-lution |
2014 |
Hideous gnosis: Black Metal Theory Symposium 1 |
|
221-230 |
| Scott, Niall W.R. |
Politics? Nah, fuck politics, man: what can we expect from metal gods? |
2012 |
Reflections in the metal void |
|
215-222 |
