Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
| Barratt-Peacock, Ruth |
Medieval Metal and Temporal Dislocation in the Construction of Alternative Identities in the Contemporary German Reenactment Scene |
2015 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
| Bartosch, Roman (ed) |
Heavy Metal Studies: Lyrics und Intertextualität |
2011 |
|
|
|
| Bénard-Goutouly, Nadège |
Le métal folklorique, entre tradition et modernité: sources d’inspiration, rites et postures idéologiques |
2013 |
|
|
|
| Boix Jovaní, Alfonso |
Transmisión, pervivencia y evolución del mito cidiano en el heavy metal |
2015 |
Estudios de literatura medieval en la Península Ibérica |
|
303-315 |
| Boyarin, Shamma |
The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon” |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
81-92 |
| Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
| Carlos, Caitlin Vaughn |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
2020 |
The Oxford handbook of music and medievalism |
|
529-546 |
