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Author |
Coulombe, Alexander Paul |
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Title |
Burakku Metaru: Japanese Black Metal Music and the 'Glocalization' of a Transgressive Sub-culture |
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Book Whole |
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Year |
2018 |
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110 |
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Keywords |
Asian Studies; Black metal; Community; Cultural anthropology; Globalization; Heavy metal; Japan; Localization; Social transgression |
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Abstract |
This thesis will demonstrate how Black Metal music became established in Japan, how it evolved, and how musicians situate themselves in a globalized form of community. It is a study of how Japanese Black Metal functions in the tensions between globalization and localization, a term called “glocalization” (Victor Roudometof 10). Japanese Black Metal is globalized around a set of rules and ideas, a term Deena Weinstein uses to describe Heavy Metal music called “codes” (Heavy Metal the Music 100). Additionally, as this music is localized, it reveals how many Japanese musicians express uniquely cynical viewpoints of religion and established authority using these globalized codes. Due to its anti-Christian and brutal history in other countries, Black Metal is seen as transgressive against mainstream society. Through electronic ethnographic research with Japanese Black Metal artists, this thesis finally examines how Black Metal is at once desirable yet also transgressive in Japanese society, a country with a comparatively low population of Christians. |
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Master's thesis |
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University of Arizona |
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Ann Arbor |
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978-0-438-33093-1 |
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INTech @ brianhickam2019 @ |
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2205 |
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Author |
Castillo Bernal, Stephen |
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Title |
EL CUERPO HUMANO COMO INSTRUMENTO SUBCULTURAL DE LOS INICIOS DEL HEAVY METAL AL SIMBOLISMO RITUAL DEL BLACK METAL. |
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Journal Article |
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Year |
2007 |
Publication |
Fuentes Humanísticas |
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Volume |
19 |
Issue |
34 |
Pages |
43-57 |
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Keywords |
sociocultural, instrumento, heavy metal, simbolismo, black metal, Alice Cooper; instrument, symbolism |
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Abstract |
En el caso que aquí nos atañe, las manifestaciones corpóreas cargan un lenguajesimbólico que puede ser leído por los integrantes de una subcultura y, en consecuencia, puede ser diseccionado a partir de un ejercicio interpretativo. Decimos lo anterior en función de que la misma cultura, siguiendo a Millán (2001: 23), puede considerarse como un sistema de lenguaje articulado. Sobra decir que las significaciones corporales son una construcción social, por lo que su edificación varía de acuerdo con los ritmos históricos de aparición del saber y las tradiciones singulares de la cultura (Fournier y Jiménez, en prensa; Foucault, 1999). |
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Prolongación Canal de Miramontes 3855, colonia Ex-Hacienda de San Juan de Dios, delegación Tlalpan, c.p. 14387, Ciudad de México, y Av. San Pablo 180, colonia Reynosa Tamaulipas, delegación Azcapotzalco, c.p. 02200, Ciudad de México • Tel. 5318-9125 y 5318-9441 |
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la Universidad Autónoma Metropolitana a través de la Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades, Departamento de Humanidades. |
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Ciudad de México |
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español |
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eISSN 2007-5618, ISSN 0188-8900 |
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Open access: Licencia Creative Commons Atribución 4.0 Internacional. IMÁGENES CORPORALES Y CULTURA DE MASAS (Enero-Junio) |
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INTech @ brianhickam2019 @ |
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2403 |
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Author |
Kotila, Sanna |
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Title |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
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Book Whole |
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2012 |
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black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics |
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Abstract |
<< Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen.
Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan.
Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta.
Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
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Finnish: Vaasan yliopisto; Swedish: Vasa universitet |
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Master's thesis |
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University of Vaasa |
Place of Publication |
Vaasa, Finland |
Editor |
Mäntymäki, Tiina (Supervisor) |
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English |
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Finnish |
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Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database |
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INTech @ brianhickam2019 @ |
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2522 |
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Author |
Abarza Baumann, Marcos |
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Title |
Historia & concepto del black metal |
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Book Whole |
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2011 |
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Black Metal; History (metal music) |
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Quarentena |
Place of Publication |
Llinars del Vallès |
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978-84-15191-20-9 |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ abarza_baumann_historia_2011 |
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1489 |
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Author |
Abbott, Helen; Ardrey, Caroline |
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Title |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
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Journal Article |
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Year |
2018 |
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Esprit Créateur; Baltimore |
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Volume |
58 |
Issue |
1 |
Pages |
130-143 |
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Keywords |
Literature; Black Metal; Baudelaire |
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English |
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0014-0767 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ abbott_mon_2018 |
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890 |
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Author |
Thompson, Christopher |
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Title |
Blasts from the past: The uses of History, Romantic identity, and Norwegian Black Metal |
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Book Chapter |
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2014 |
Publication |
Coda : andra antologin om Musik och samhälle |
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History; Romanticism; Black Metal; Neomedievalism; Nationalism |
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Kira |
Place of Publication |
Malmö |
Editor |
Askander, Mikael; Lundin, Johan A.; Söderman, Johan |
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978-91-980921-9-6 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ askander_blasts_2014 |
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1130 |
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Author |
Azevedo, Cláudia |
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Title |
É para ser escuro! – codificações do Black Metal como gênero audiovisual |
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Book Whole |
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Year |
2009 |
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Black Metal |
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Ph.D. thesis |
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Universidade Federal do Estado do Rio de Janeiro |
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Rio de Janeiro |
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UCM - CAM @ amaranta.saguar.garcia @ azevedo_e_2009 |
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985 |
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Author |
Swinford, Dean |
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Title |
Black Metal’s Medieval King: The Apotheosis of Euronymous through Album Dedications |
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Book Chapter |
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2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
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Pages |
121-136 |
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Keywords |
Rhetoric; Black Metal; Neomedievalism; Aesthetics |
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Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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978-1-78756-396-4 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_black_2019 |
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491 |
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Author |
Smialek, Eric |
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Title |
Getting Medieval: Signifiers of the Middle-Ages in Black Metal Aesthetic |
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Book Chapter |
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Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
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Volume |
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Pages |
35-56 |
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Keywords |
Black Metal; Neomedievalism; Aesthetics |
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Emerald |
Place of Publication |
London |
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Barratt-Peacock, Ruth; Hagen, Ross |
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978-1-78756-396-4 |
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no |
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UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_getting_2019 |
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486 |
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Author |
Gardenour Walter, Brenda S. |
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Title |
Satanic Bowels: Medieval Inversion and the Black Metal Grotesque |
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Book Chapter |
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Year |
2019 |
Publication |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
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Volume |
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Pages |
171-180 |
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Keywords |
Rhetoric; Black metal; Motifs; Neomedievalism |
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Emerald |
Place of Publication |
London |
Editor |
Barratt-Peacock, Ruth; Hagen, Ross |
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978-1-78756-396-4 |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ barratt-peacock_satanic_2019 |
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495 |
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