| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
|
Swallow, Reuben; Herbst, Jan-Peter |
Dissonance in metal music: Musical and sociocultural reasons for metal’s appreciation of dissonance |
2022 |
Metal Music Studies |
8 |
351-379 |
|
|
|
Straw, Will |
Characterizing Rock Music Cultures: The Case of Heavy Metal |
1984 |
Canadian University Music Review |
|
104-122,373 |
|
|
|
Straw, Will |
Characterising Rock Music Culture : The Case of Heavy Metal |
1990 |
On Record : Rock, Pop and the Written Word |
5 |
97-110 |
|
|
|
Stock, Manfred; Mühlberg, Philipp |
Die Szene von innen: Skinheads, Grufties, Heavy Metals, Punks |
1990 |
|
|
|
|
|
|
Stack, Steven; Gundlach, Jim; Reeves, Jimmie L. |
The heavy metal subculture and suicide |
1994 |
Suicide & Life – Threatening Behavior; Washington |
24 |
15-23 |
|
|
|
Stack, Steven |
Heavy metal, religiosity, and suicide acceptability |
1998 |
Suicide & Life – Threatening Behavior; Washington |
28 |
388-394 |
|
|
|
Spracklen, Karl |
What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal |
2016 |
Heavy Metal Music and the Communal Experience |
|
151-168 |
|
|
|
Spracklen, Karl |
True Ayryan black metal: the meaning of leisure, belonging and the construction of whiteness in black metal music |
2010 |
The metal void: first gatherings |
|
81-94 |
|
|
|
Spracklen, Karl |
Gorgoroth’s Gaahl’s gay! Power, gender and the communicative discourse of the black metal scene |
2010 |
Heavy fundametalisms: music, metal and politics |
|
89-102 |
|
