| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hill, Rosemary |
Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance |
2011 |
Can I play with madness? Metal, dissonance, madness and alienation |
|
143-154 |
|
|
|
Hill, Rosemary |
’I’m a metalhead’: the representation of women letter writers in Kerrang! magazine |
2010 |
Heavy fundametalisms: music, metal and politics |
|
79-88 |
|
|
|
Hill, Rosemary L.; Megson, Molly; Hesmondhalgh, David |
Sexual Violence in the Pit |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
177-193 |
|
|
|
Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
|
|
|
Hill, Rosemary Lucy |
When love and critique collide: Methodology ontology fandom and standpoint in metal research |
2021 |
Metal Music Studies |
7 |
197-210 |
|
|
|
Hill, Rosemary Lucy |
Metal and sexism |
2018 |
Metal Music Studies |
4 |
265-279 |
|
|
|
Hill, Rosemary Lucy |
Gender, metal and the media: women fans and the gendered experience of music |
2016 |
|
|
|
|
|
|
Hill, Rosemary Lucy |
Masculine Pleasure? Women’s Encounters with Hard Rock and Metal Music |
2016 |
Global metal music and culture: current directions in metal studies |
|
277-296 |
|
|
|
Hill, Rosemary Lucy |
‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan |
2016 |
Metal Music Studies |
2 |
263-271 |
|
|
|
Hill, Rosemary Lucy |
Using Women’S Listening Pleasure To Challenge The Notion Of Hard Rock And Metal As ‘Masculine’ Music |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
240-246 |
|
