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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Aquino Ruiz, Frankz Armas, Laura |
Relación e interacción entre la música académica contemporánea y el Metal Extremo |
2021 |
|
|
|
|
|
|
Benard, Charlène |
Who Listens to “Metal for Girls”? Metal, Orchestra and Female Voices: Measuring the Reception of Symphonic Metal in France, Between Middle Class and Gender |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
211-234 |
|
|
|
Brown, Andy R. |
Resistance Through Music: Exploring the Role of Class Fraction Appropriations and Alliances in the Subcultural Formation of Heavy Metal, Classic, Post and Present |
2024 |
Musical Scenes and Social Class. Debating Punk and Metal |
|
17-41 |
|
|
|
Brown, Andy R.; Griffin, Christine |
’A cockroach preserved in amber’: the significance of class in critics’ representations of heavy metal music and its fans |
2014 |
The Sociological Review; Keele |
62 |
|
|
|
|
Bryson, Bethany |
”Anything but heavy metal”: Symbolic exclusion and musical dislikes |
1996 |
American Sociological Review; Washington |
61 |
884 |
|
|
|
Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
|
|
|
Guibert, Gérôme; Garbaye, Romain |
Musical Scenes and Social Class: Debating Punk and Metal |
2024 |
|
|
|
|
|
|
Hernando González, Paola |
La tradición clásica en el heavy metal y el rock |
2021 |
|
|
|
|
|
|
Hindrichs, Thorsten |
”Body Count’s in the House”: Challenging the US Working-Class Metal-Hero |
2016 |
Heavy Metal, Gender and Sexuality: Interdisciplinary Approaches |
|
109-120 |
|
|
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
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