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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Asbury, Louis W. |
Indigenous Metal: Rage, Rejects, and the Reconstruction ofIndigenous Metal: Rage, Rejects, and the Reconstruction of CultureCulture |
2024 |
|
|
|
|
|
|
Banchs, Edward |
Scream for Me Africa! Heavy Metal Identities in Post-Colonial Africa |
2022 |
|
|
|
|
|
|
Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique |
Zines e cultura underground: uma análise fanoniana pelo Prolecast |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
156-186 |
|
|
|
Koplow Villavicencio, Jan |
More than Screams and Distortion: Chilean Metal Against the Ecological Crises and the Extractivist Economic Model |
2023 |
SEM Student News |
19 |
|
|
|
|
Mendoza Negrete, Jesús Erbey |
“Puro chuqui”: una interpretación postcolonial de la propuesta musical de Nunca Jamás |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
99-105 |
|
|
|
Rowe, Paula |
Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
137-162 |
|
|
|
Sandoval Trigo, Germán Medardo |
Derecho y heavy metal: Fiat iustitia, et pereat mundus |
2022 |
Lenguas Radicales |
1 |
19-27 |
|
|
|
Scaricaciottoli, Emiliano; Minore, Gito (eds) |
Para cruzar mil senderos. Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
2021 |
|
|
|
|
|
|
Senra, Flavio P. |
A antropofagia heavy metal: a resistência brasileira ao discurso colonial na música pesada e na literatura |
2008 |
Revista Garrafa |
16 |
1-13 |
|
|
|
Tapia, Reynaldo |
Un análisis del Folk Metal desde afuera: Resistencias decoloniales y contra-hegemónicas |
2024 |
Indigenismo, Fusión y Folk Metal en Bolivia |
|
75-106 |
|
