|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Alarcón Ruiz, Juan Carlos |
CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017 |
2017 |
|
|
316 |
|
|
Anderton, Chris; Burns, Lori |
Introduction: Reflections on The Literary Imagination in Progressive Rock and Metal |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
Introduction |
|
|
Avelar, Idelber |
Otherwise national: locality and power in the art of Sepultura |
2011 |
Metal rules the globe: heavy metal music around the world |
|
135-160 |
|
|
Banchs, Edward |
Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity |
2016 |
Metal Music Studies |
2 |
311-324 |
|
|
Barone, Stefano |
Metal Identities In Tunisia: Locality, Islam, Revolution |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
185-194 |
|
|
Bäumer, Ulrich |
Wir wollen nur deine Seele: Rockszene und Okkultismus: Daten, Fakten, Hintergründe |
1984 |
|
|
|
|
|
Beckmayer, Sonja |
“Metal is Religion” – Heavy Metal und Liturgie. Popkulturelle Vermittlungsweisen gottesdienstlicher Elementeam Beispiel des Heavy Metal |
2024 |
Praktische Theologie |
59 |
58-65 |
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
Biamonte, Nicole; Cain, Jerry |
The Tool Album as Gesamtkunstwerk |
2025 |
The Routledge Handbook of Progressive Rock, Metal, and the Literary Imagination |
|
Chapter 35 |
|
|
Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
|