| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Barchi, Rodrigo |
Infer(ce)no na música extrema: das ecologias e das trevas nas capas de álbuns grindcore |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
314-343 |
|
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Hjelm, Titus; Kahn-Harris, Keith; LeVine, Mark (eds) |
Heavy metal: controversies and countercultures |
2013 |
|
|
|
|
|
|
Kitteringham, Sarah |
Extreme Conditions Demand Extreme Responses: The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore |
2014 |
|
|
|
|
|
|
Lee, Liam |
The brutal truth: Grindcore as the extreme realism of heavy metal |
2009 |
Heavy metal music in Britain |
|
53-70 |
|
|
|
Mudrian, Albert |
Choosing Death: The Improbable History of Death Metal & Grindcore |
2004 |
|
|
|
|
|
|
Nohr, Rolf F.; Schwaab, Herbert (eds) |
”Metal matters”. Heavy Metal als Kultur und Welt |
2011 |
|
|
|
|
|
|
Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
|
|
|
Overell, Rosemary |
Brutal belonging in other spaces: grindcore touring in Melbourne and Osaka |
2015 |
Youth cultures and subcultures: Australian perspectives |
|
|
|
|
|
Overell, Rosemary |
‘[I] hate girls and emo[tion]s’: Negotiating masculinity in grindcore music |
2013 |
Heavy metal: controversies and countercultures |
|
201-227 |
|
