|
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Castillo Bernal, Stephen |
“Posers” y “trues”. Jóvenes, autenticidad y poder en la escena metalera mexicana |
2016 |
Cuicuilco Revista de Ciencias Antropológicas |
23 |
99-126 |
|
|
Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
|
|
Epp, André |
Heavy metal as a profession?: The Mexican heavy metal scene and its effects as an informal and non-formal learning space |
2021 |
Metal Music Studies |
7 |
149-158 |
|
|
Folgueira Lombardero, Pablo |
La literatura y la música en la divulgación de la historia de la conquista de México |
2016 |
Tiempo y Sociedad |
23 |
85-98 |
|
|
González Hernández , José Omar |
Imaginarios de la maldad. El espacio como perpetrador en el goregrind mexicano |
2022 |
Lenguas Radicales |
1 |
52-60 |
|
|
González Hernández, José Omar |
Appropriating the extreme: Interculturality and the decolonization of the image in extreme metal in México and Colombia |
2021 |
Metal Music Studies |
7 |
119-128 |
|
|
Juárez, Tony |
Mexican Underground Metal 1984-1996 |
|
|
|
|
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
Pelayo, Marisol Pérez |
Building “communitas” through symbolic performances: Mexican metal and the case of Cemican |
2021 |
Metal Music Studies |
7 |
139-148 |
|
|
Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
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