| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Elflein, Dietmar |
Flight of the Riff: Distinguishing Hard Rock and Metal in the Seminal Styles of Deep Purple, Led Zeppelin, Uriah Heep, and Black Sabbath |
2026 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
189-209 |
|
|
|
Hudson, Stephen |
Metal Movements: Headbanging As A Legacy Of African American Dance |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
445-453 |
|
|
|
Netherton, Jason |
Extremity Reframed: Exhuming Death Metal’S Analog Origins |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
309-318 |
|
|
|
Rodkiewicz, Maciej |
Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
134-145 |
|
|
|
Ryynänen, Toni; Heinonen, Visa |
Digging The Roots Of Modern Heavy Metal: Rockers And Mods As Music Related Subcultures Of Consumption |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
337-346 |
|
|
|
Weinstein, Deena |
Just so stories: how heavy metal got its name—A cautionary tale |
2014 |
Rock Music Studies |
1 |
36-51 |
|
