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Kotila, Sanna |
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Title |
Frost, Blood and a Thousand Lakes: Representing Finnishness in Metal Lyrics |
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2012 |
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black metal, discourse, Finland, representation, articulation, national identity, the narrative of the nation, metal lyrics |
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Abstract  |
<< Tutkielmassani selvitän, millaisena suomalaisuus artikuloituu viime vuosien kansainväliselle yleisölle suunnatussa, englanninkielisessä metallilyriikassa. Tutkielmani pohjaa teoreettisesti ajatukselle, että kansallista kulttuuria ja identiteettiä rakennetaan ja tuotetaan diskursiivisesti. Benedict Anderson luonnehtii valtiota kielen avulla kuviteltuna ja määriteltynä yhteisönä. Kansallinen diskurssi tuottaa yhteisöllisyyttä, se määrittelee ”meidät” erityislaatuisina. Kansallisvaltio on käsitteenä historiallisesti suhteellisen uusi, ja jokainen kansakunta on kulttuurisesti hybridi. Silti diskurssin avulla kansakunnasta luodaan representaatio, joka esittää sen olleen olemassa jo määrittelemättömän kauan, ja joka esittää sen olevan kulttuurisesti homogeeninen.
Stuart Hallin teorioima ”kansallinen narratiivi” on metafora, joka asettaa kaikki tiettyä kansallisuutta kuvaavat esitykset yhteyteen. Niistä syntyy kansallinen kertomus, jossa painottuvat usein toistetut kansallisuutta kuvaavat elementit, viitteet ja symboliikka. Mitä enemmän jotain kuvausta toistetaan, sitä itsestään selvempänä se alkaa näyttäytyä, ja sitä vaikeampi se on haastaa, vaikka se ei vastaisikaan totuutta. Tässä piilee diskursiivisuuden voima. Kansalliseen keskusteluun osallistuvat saattavat toistaa vallalla olevia käsityksiä jopa tiedostamattaan.
Tutkimusaineistossani suomalaisuuden elementit; symbolit ja erilaiset viittaukset artikuloituvat metallilyriikan aineksiksi. Kontekstualisointi on keskeisin tekniikkani analysoidessani lyriikoita, tästä syystä myös Deena Weinsteinin teoria metallidiskurssista on oleellinen osa teoriapohjaani. Jotkin viittaukset paljastavat monitahoisen merkityksensä vain, kun ne luetaan asetettuna metallidiskurssin ja kansallisen diskurssin leikkauskenttään. Aineistokseni olen valinnut seitsemän laulun lyriikat, joista jokainen lähestyy suomalaisuutta hieman eri näkökulmasta ja eri painotuksin. Jokainen laululyriikoista muodostaa omanlaisensa kuvan suomalaisuudesta.
Pohdin tutkielmassani lyriikoiden ”kertojien” positioitumista suhteessa suomalaisuuteen. Lyriikoiden suomalaisuus artikuloituu suhteessa toisiin kansallisuuksiin, mutta myös suhteessa valtion sisäiseen dynamiikkaan. Tärkeitä viitekehyksiä ovat kansallisessa diskurssissa keskeiset ja myös perinteiset: kansakunnan näkeminen perheenomaisena, valtion näkeminen kotina, kansallinen luonto ja kansallismaisema, mentaliteetti, sekä poliittinen historia. Lopuksi pohdin vaikutteita, jotka näyttävät kumpuavan kansallislaulugenrestä; tutkimusaineistoni metallilyriikoilla ja Maamme-laululla on yllättävän paljon yhteistä. >> |
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Finnish: Vaasan yliopisto; Swedish: Vasa universitet |
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Thesis |
Master's thesis |
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Publisher |
University of Vaasa |
Place of Publication |
Vaasa, Finland |
Editor |
Mäntymäki, Tiina (Supervisor) |
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English |
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Finnish |
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Faculty of Philosophy, English Studies; not found in ProQuest Dissertations & Theses Global database |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2522 |
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Author |
Rosa, Hartmut |
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Title |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
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Book Whole |
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Year |
2023 |
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187 |
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<<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>>
[Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.]
//
<< Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >>
[In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.]
(Source: https://shop.kohlhammer.de/) |
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Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
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German |
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Series Title |
MetalBook (Volume 1) |
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ISBN |
9783170426481 |
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Hardback |
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Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD |
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INTech @ brianhickam2019 @ |
Serial |
2531 |
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Author |
Scheller, Jörg; Neuffer, Jochen |
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Title |
Make Metal Small Again |
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Book Whole |
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Year |
2023 |
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193 |
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<<Metalbands stehen auf gewaltigen Bühnen, vor Verstärkertürmen und Tausenden wilder Fans. Sie trinken kübelweise Bier, rauschen in Tourbussen durch die Nacht und besingen Sex, Drogen und den Tod. Ihr größtes Ziel: Wacken. Alle Metalbands? Nein!
Eine kleine Metalband tingelt seit zwei Jahrzehnten über Dorffeste, Vereinsfeiern, Hochzeiten, Vernissagen und durch Geburtstagspartys. Sie hat keine Verstärker, keine Plattenfirma. Sie liefert annähernd CO2-neutralen Metal wie Pizza auf Bestellung und hätte einmal beinahe Angela Merkel beschallt. Sie singt nur übers Wetter und spielt im Sitzen, gediegen gekleidet und teetrinkend. Sie richtet sich gleichermaßen an Bildungsbürger, Mutbürger, Spießbürger. Ihr Name: Malmzeit. Ihr Genre: Kammermetal. Ihr Motto: Make Metal Small Again!
Tauchen Sie ein in die völlig irre Bandbiographie der kleinsten Metalband der Welt, verfasst von den Musikern selbst. Ein Buch voller bizarrer Ereignisse, das komplett erfunden sein könnte, wäre nicht jedes Wort wahr!>>
[Metal bands stand on huge stages, in front of amplifier towers and thousands of wild fans. They drink beer by the bucketful, rush through the night in tour buses and sing about sex, drugs and death. Your biggest goal: Wacken. All metal bands? No!
A small metal band has been playing at village festivals, club celebrations, weddings, openings and birthday parties for two decades. She has no amplifiers, no record company. It delivers almost CO2-neutral metal like pizza to order and once almost gave Angela Merkel sound. She just sings about the weather and plays while sitting, dressed dignified and drinking tea. It is aimed equally at educated citizens, courageous citizens and philistines. Her name: Malmzeit. Her genre: chamber metal. Their motto: Make Metal Small Again!
Immerse yourself in the completely crazy band biography of the smallest metal band in the world, written by the musicians themselves. A book full of bizarre events that could be completely made up if every word wasn't true!]
//
<<Produktbeschreibung: Ende der 1960er Jahre entwickelte sich der Hard Rock weiter zu noch härteren, schnelleren Klängen. Die ersten Alben von “Black Sabbath” gelten gemeinhin als die Geburtsstunde des Heavy Metal. Obwohl wiederholt totgesagt, ist diese Musikrichtung bis heute ungemein erfolgreich und hat sich in mehrere hundert Subgenres ausdifferenziert. Einst drückte die laute und aggressive Musik den Unmut der sozial Abgehängten am gesellschaftlichen Rand aus, doch inzwischen hören auch viele Akademiker und Wohlhabende Metal. Heute wie damals geht es für die eingefleischten Metal-Fans längst nicht nur um die Musik, sondern vielmehr um ein Lebensgefühl. Und so wird noch immer der Mythos vom Outlaw zelebriert, während die Szene schon längst mitten in der Gesellschaft angelangt ist, denn allein in Deutschland hören Millionen von Menschen diese Art Musik. Als globales Kulturphänomen zieht Heavy Metal mittlerweile mehr und mehr Aufmerksamkeit auf sich und entwickelt sich in Richtung Popkultur. Gleichzeitig beschäftigt sich die Szene oft mit Themen, die in der modernen Konsumkultur verdrängt werden. Themen wie etwa Gewalt, Angst und Tod. Jörg Scheller bringt es in der NZZ (06.07.2018) auf den Punkt: “Metal ist hart, weil das Leben hart ist und der Ponyhof nie weit entfernt vom Schlachthof. Dieser Sound fordert die Konfrontation mit der dunklen Seite, aber auch persönlichen Einsatz und Verantwortung. Erkenntnisse und Entscheidungen nimmt er niemandem ab. Stets muss Metal decodiert, interpretiert, diskutiert werden. Wie moderne Kunst ist er offen in der Bedeutung. Und genau deshalb umstritten.”
Insofern ist es keine Überraschung, dass dieses Phänomen auch an den Universitäten bereits seit mehreren Jahrzehnten von diversen Disziplinen erforscht wird. Eine Unzahl hochinteressanter Studien sind das Ergebnis. Allerdings werden diese meist ausschließlich in wissenschaftlichen Fachbüchern publiziert. Hier setzt unsere Reihe “Metalbook” an, die sich ganz gezielt an ein Sachbuchpublikum wendet und spannende Themen und Phänomene aus der Metal-Szene behandeln möchte.
Höchste Zeit also, die “Metalbooks” in unsere Buchläden zu bringen ...
>>
[Product description: At the end of the 1960s, hard rock continued to develop into even harder, faster sounds. Black Sabbath's first albums are generally considered to be the birth of heavy metal. Although it has repeatedly been declared dead, this style of music is still extremely successful today and has differentiated itself into several hundred subgenres. The loud and aggressive music once expressed the discontent of those left behind on the social margins, but now many academics and wealthy people also listen to metal. Today, as then, for die-hard metal fans it's not just about the music, but rather about an attitude to life. And so the myth of the outlaw is still celebrated, while the scene has long since reached the heart of society, because in Germany alone millions of people listen to this type of music. As a global cultural phenomenon, heavy metal is now attracting more and more attention and developing into pop culture. At the same time, the scene often deals with topics that are suppressed in modern consumer culture. Topics such as violence, fear and death. Jörg Scheller sums it up in the NZZ (July 6, 2018): “Metal is hard because life is hard and the pony farm is never far from the slaughterhouse. This sound demands confrontation with the dark side, but also personal commitment and He doesn't take responsibility for insights and decisions from anyone. Metal always has to be decoded, interpreted and discussed.
In this respect, it is no surprise that this phenomenon has been researched by various disciplines at universities for several decades. The result is a multitude of highly interesting studies. However, these are usually published exclusively in scientific textbooks. This is where our “Metalbook” series comes in, which is aimed specifically at a non-fiction audience and aims to cover exciting topics and phenomena from the metal scene.
So it's high time to bring the ”Metalbooks" into our bookstores...]
(Source: https://shop.kohlhammer.de/) |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
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Language |
German |
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Series Title |
MetalBook (Volume 2) |
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ISBN |
9783170434356 |
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Hardback |
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Notes |
Print; PDF eBook; ePub eBook |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2532 |
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Author |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco (eds) |
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Title |
Meta/Metal: Open Questions in Metal Studies |
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Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a “booming” research field that has gained tremendous momentum in recent years. In this field, Heavy Metal is studied both as a cultural practice and as a musical genre. However, many of the most urgent conceptual questions have remained unanswered – especially those that lie outside the research interests of the founding disciplines of Metal Studies. This first volume of the book series “Meta/Metal” tries to answer some of these questions. The book brings together contributions by leading scholars and young experts, each of which responds to one of the conceptual desiderata that have so far arisen in Metal Studies. All contributions share a commitment to combining basic research with empirical accuracy in this research field.>> |
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Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter; Béra, Camille F.; Dawes, Laina; Efthymiou, Charalampos; Höpflinger, Anna-Katharina; Scheller, Jörg; Swiniartzki, Marco |
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English |
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Meta/Metal (Volume 1) |
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9783170434585 |
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Hardback |
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no |
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INTech @ brianhickam2019 @ |
Serial |
2535 |
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Author |
Pichler, Peter (ed) |
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Title |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Book Whole |
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Year |
2024 |
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<<Produktbeschreibung: Metal Studies is a genuinely interdisciplinary research field. However, different specialist traditions, differing theoretical and methodological approaches, and also terminological “translation difficulties” make collaboration within the field difficult. This volume aims to explore the potential and limitations of interdisciplinary work by examining an example area – the laws of Heavy Metal – from the point of view of central disciplines. Laws are regarded as social conventions – i.e., rules that are made by human beings and are culturally stable. Examples of laws include conventions of musical language, the dress code in the metal scene, behavioural norms, and conventions in writing song lyrics.
The volume includes contributions from the fields of law, social ethics, art history, religious studies, musicology, sociology, linguistics, and cultural history.>> |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
Pichler, Peter |
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Language |
English |
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Meta/Metal (Volume 2) |
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9783170434639 |
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Hardback |
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no |
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INTech @ brianhickam2019 @ |
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2536 |
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Author |
Trummer, Manuel |
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Title |
Highway to Hell: Das Satanische im Heavy Metal |
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Book Whole |
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Year |
2024 |
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Volume |
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Issue |
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Pages |
166 |
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<<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen.
Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen.
>>
[Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day.
The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.] |
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Corporate Author |
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Thesis |
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Publisher |
Kohlhammer Verlag |
Place of Publication |
Stuttgart, Baden-Württemberg, Germany |
Editor |
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Language |
German |
Summary Language |
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Original Title |
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Series Editor |
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Series Title |
MetalBook (Volume 3) |
Abbreviated Series Title |
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Series Volume |
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Series Issue |
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Edition |
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ISSN |
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ISBN |
9783170420748 |
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Hardback |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2533 |
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Author |
Pascuchelli, María Natalia |
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Title |
Las performance de rock como ámbito de construcción de identidades. Los seguidores de V8 en el área metropolitana de Buenos Aires. |
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Journal Article |
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2012 |
Publication |
Revista Lindes: Estudios Sociales del Arte y la Cultura |
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Octubre |
Issue |
3 |
Pages |
17 |
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A través del presente artículo nos proponemos enfatizar sobre la performance del grupo V8 , agrupación de Heavy Metal argentino, entendida está como una manifestación artística – cultural, donde aparecen como disparadores , diversos códigos estético – ideológicos, a través de los cuales comienza a vislumbrarse una conformación de sentido de pertenencia y construcción de identidad entre los jóvenes seguidores. Esto revela la importancia de esta manifestación para los actores sociales, quienes van generando pautas que les permiten diferenciarse de otros grupos juveniles de la época. El contexto político que vivía el país, saliendo de la dictadura militar y entrando en la democracia, marco en todo el movimiento rockero y en el naciente Heavy Metal nacional, una postura contestaría y de resistencia cultural. |
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https://www.revistalindes.com.ar/indice.html |
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Place of Publication |
Ciudad Autónoma de Buenos Aires, República Argentina |
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Spanish |
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Spanish |
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1853-5798 |
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Notes |
María Natalia Pascuchelli, Licenciada en folklore por Instituto Universitario Nacional del Arte. Maestranda en Cultura y Sociedad. Instituto Universitario Nacional del Arte- Centro Argentino de Etnología Americana. Argentina |
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INTech @ brianhickam2019 @ |
Serial |
2292 |
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Author |
Guibert, Gérôme |
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Title |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
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Book Chapter |
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Year |
2018 |
Publication |
Made in France: Studies in Popular Music |
Abbreviated Journal |
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Volume |
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Issue |
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Pages |
296 |
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Book summary: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. |
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Address |
711 Third Avenue, New York, NY 10017 |
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Publisher |
Routledge |
Place of Publication |
New York, NY |
Editor |
Gérôme Guibert, Catherine Rudent |
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Language |
English |
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978-1-138-79304 (hbk), 978-1-315-76161 (ebk) |
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paperback, hardback, eBook |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2470 |
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| Permanent link to this record |
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Author |
Gómez Garay, Lucía de Fátima |
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Title |
El mediascape en la escena metalera de Lima. El concepto de escena y los flujos culturales globales |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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Volume |
1 |
Issue |
1 |
Pages |
16-17 |
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Contacto: lucia.gomezg@pucp.pe
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2377 |
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| Permanent link to this record |
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Author |
Mudrian, Albert (ed) |
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Title |
The Decibel Hall of Fame Anthology: Volume III |
Type |
Book Whole |
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Year |
2020 |
Publication |
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Volume |
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Issue |
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Pages |
364 |
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Keywords |
Judas Priest, Satan, Hellhammer, Kreator, King Diamond, Candlemass, Napalm Death, Tormentor, Judge, Dismember, Ripping Corpse, Entombed, Cynic, Focus, My Dying Bride, Carcass, Cradle of Filth, Deadguy, Cryptopsy, Emperor, Refused, Opeth, Watain, Mastodon, Bloodbath. |
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Abstract |
Decibel Books is proud to announce the publication of The Decibel Hall of Fame Anthology: Volume III. Our latest limited edition, webstore exclusive includes 25 more Hall of Fame stories from our revered monthly series of artist interviews on the making of their classic extreme music albums.
In addition to reintroducing many Hall of Fame pieces from long out-of-print issues of Decibel, The Decibel Hall of Fame Anthology: Volume III also includes a previously unreleased bonus feature on the making of Bloodbath’s death metal classic Nightmares Made Flesh. 364 pages, hardcover. |
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Publisher |
dB Books |
Place of Publication |
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Editor |
Mudrian, Albert |
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Language |
English |
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no |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2275 |
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| Permanent link to this record |
