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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
|
|
|
Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
|
|
|
Allain, Florence |
Musiques extrêmes, sexe et orientation sexuelle: de 1970 ? nos jours |
2018 |
|
|
|
|
|
|
Almer, Jiří; Ondřej, Daniel |
“666 XXX”: Sexploitation in Czech and Slovak Black Metal and Porno-Gore Grind |
2018 |
Časopis za kritiko znanosti, domišljijo in novo antropologijo (Journal for the Critique of Science, Imagination, and New Anthropology) |
XLVI |
199-214 |
|
|
|
Andrew Klein |
Blood, Frets and Tears |
2018 |
|
|
1'15" |
|
|
|
Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
|
|
|
Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
|
|
|
Brannigan, Paul; Winwood, Ian |
Nacer, crecer, Metallica, morir |
2018 |
|
|
|
|
|
|
Brown, Andy R. |
A manifesto for metal studies: Or putting the ‘politics of metal’ in its place |
2018 |
Metal Music Studies |
4 |
343-363 |
|
|
|
Burke, David |
Political Expression in Doom Metal |
2018 |
|
|
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