| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Thomas, Niall; King, Andrew |
Production perspectives of heavy metal record producers |
2019 |
Popular Music; Cambridge |
38 |
498-517 |
|
|
|
Till, Rupert |
Metal and the Beast: The adoption of apocalyptic imagery in heavy metal music |
2012 |
Anthems of Apocalypse: Popular Music and Apocalyptic Thought |
|
|
|
|
|
Tsitsos, William |
Rules of Rebellion: Slamdancing, Moshing, and the American Alternative Scene |
1999 |
Popular Music |
18 |
397-414 |
|
|
|
Verden, Paul; Dunleavy, Kathleen; Powers, Charles H. |
Heavy metal mania and adolescent delinquency |
1989 |
Popular Music and Society |
13 |
73-82 |
|
|
|
Wallach, Jeremy; LeVine, Alexandra |
“I want you to support local metal”: A theory of metal scene formation |
2011 |
Popular Music History |
6 |
116-134 |
|
|
|
Walser, Robert |
Professing Censorship: Academic Attacks On Heavy Metal |
1993 |
Journal of Popular Music Studies |
5 |
68-78 |
|
|
|
Walser, Robert |
Eruptions: Heavy metal appropriations of classical virtuosity |
1992 |
Popular Music; Cambridge |
11 |
263 |
|
|
|
Weinstein, Deena |
Birmingham’s postindustrial metal |
2014 |
Sounds and the City: Popular Music, Place and Globalization |
|
38-54 |
|
|
|
Weinstein, Deena |
Pagan metal |
2013 |
Pop Pagans: Paganism and Popular Music |
|
58-75 |
|
|
|
Weinstein, Deena |
All Singers Are Dicks |
2004 |
Popular Music and Society |
27 |
323-334 |
|
