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Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Algora, Alfonso F. |
Filosofía e historia del pensamiento en el heavy metal y músicas afines. Una aproximación |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
29-52 |
|
|
|
Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
|
|
|
Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
|
|
|
Baert, Sébastien |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
2019 |
|
|
|
|
|
|
Barone, Stefano |
Metal, rap, and electro in post-revolutionary Tunisia : a fragile underground |
2019 |
|
|
|
|
|
|
Barratt-Peacock, Ruth |
The Villon that Never Was |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
157-170 |
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
|
|
|
Barratt-Peacock, Ruth; Hagen, Ross; Gardenour Walter, Brenda S. |
Finding the Past in the Present and the Present in the Past |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
137-144 |
|
|
|
Bauer, Michael |
Zugehörigkeit zur Heavy Metal Szene in Bezugnahme auf Körperlichkeiten : Eine Szene von Innen |
2019 |
|
|
|
|
|
|
Bayer, Gerd (ed) |
Heavy metal at the movies |
2019 |
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