| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hann, Michael |
Denim and Leather: The Rise and Fall of the NWOBHM |
2022 |
|
|
|
|
|
|
Hannan, Calder |
Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper” |
2021 |
Metal Music Studies |
7 |
277-297 |
|
|
|
Hannan, CalderCalder |
Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” |
2022 |
Music Theory Online |
28 |
s.p. |
|
|
|
Harris, James |
Pleromaticatalyst. Ritual intoxication toward the universal field |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
106-121 |
|
|
|
Hassan, Nedim |
Metal on Merseyside: Music Scenes, Community and Locality |
2021 |
|
|
|
|
|
|
Hassemer, Simon Maria |
Green is the New Black (Metal): Wolves in the Throne Room, die amerikanische Romantik und Ecocriticism |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
263-277 |
|
|
|
Heaton, Brian J.; Naron, Brian L. |
Roads to Madness: The Touring History of Queensrÿche (1981-1997) |
2024 |
|
|
|
|
|
|
Hecter, Pierre; Mattsson, Douglas |
The Enemy Within: Conceptualizing Turkish Metalheads as the Ideological “Other” |
2021 |
Living Metal: Metal Scenes around the World |
|
|
|
|
|
Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
|
|
|
Herbst, Jan |
Martin Birch – Catalyst: The Pivotal Role of Deep Purple’s Sound Engineer on the Classic Mk. 2 Albums |
2024 |
Who Do We Think They Are? Deep Purple and Metal Studies |
|
t.b.c. |
|
