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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Title |
Epilogue: Metal Unbound |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
387-390 |
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Conclusions |
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Lexington |
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London |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2441 |
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Author |
Nink, Theresa; Heesch, Florian |
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Title |
Metal Ballads as Low Pop? An Approach to Sentimentality and Gendered Performances in Popular Hard Rock and Metal Songs |
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Journal Article |
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Year |
2023 |
Publication |
Arts |
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Volume |
12 |
Issue |
1 |
Pages |
38 |
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Keywords |
Gender; Ballad; Sentimentality |
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ISSN |
2076-0752 |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2444 |
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Author |
Núñez, Exequiel |
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Title |
No todo fue sangre y vísceras: el metal extremo en Argentina en la década de 1990 |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
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1 |
Issue |
1 |
Pages |
10-11 |
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Abstract |
Exequiel Nuñez (Morón, Buenos Aires, Argentina, 1972). Es profesor de Historia y de Geografía (UBA). En 1994, editó su primer fanzine, Tribal. En 1995, co-fundó el sello Stormsouls. A partir de 1997, fue redactor en las revistas Epopeya, Grinder (edición argentina), Maelström, Rock Brigade (versión en castellano), Requiem y actualmente colabora en Jedbangers. Desde 2016, lleva adelante la fanpage de Facebook La historia del metal extremo en Argentina.
Contacto: exequielmesmer@gmail.com
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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ISSN |
2953-3805 |
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PDF |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2374 |
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Author |
Núñez, María de la Luz |
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Title |
De Conan a símbolo de raza y nación : desarrollo e implicancias de la masculinidad de protesta de la figura del guerrero vikingo en los inicios del metal vikingo nórdico. |
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Book Whole |
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Year |
2022 |
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Pages |
103 |
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Keywords |
Heavy metal (Música); Masculinidad en arte; Vikingos |
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Abstract |
Esta tesis trata acerca del desarrollo que sigue la masculinidad de la figura del vikingo del metal, desde que aparece dentro del metal del norte global, hasta que se convierte en la figura paradigmática del metal vikingo nórdico. La hipótesis que sostengo es que el vikingo del metal vikingo nórdico representa una masculinidad de protesta del metal (siguiendo el sentido que Connell le da a la masculinidad de protesta). Por ello, se trata de una construcción de género que contiene elementos que van surgiendo y se vuelven parte de la cultura metalera, así como otros elementos más que le permiten mostrar su oposición o protesta hacia masculinidades diferentes a la que presenta el vikingo, sobre todo hacia la masculinidad hegemónica local. No obstante, la expresión de dicha oposición termina presentando varias similitudes con discursos de odio ligados al patriarcado, a la raza y a la nacionalidad. |
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https://www.uc.cl/ |
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Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica de Chile |
Place of Publication |
Santiago de Chile, Republic of Chile |
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Spanish |
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Notes |
Magíster en Artes con mención en Musicología vía investigación; Open Access |
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no |
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Call Number |
INTech @ brianhickam2019 @ 781.66 |
Serial |
2296 |
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Author |
Núñez, María de la Luz |
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Title |
Crítica feminista a través de la técnica de voz gutural: el caso Vofemex. |
Type |
Magazine Article |
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Year |
2022 |
Publication |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
Abbreviated Journal |
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Volume |
1 |
Issue |
1 |
Pages |
26-27 |
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Abstract |
REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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Publisher |
REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) |
Place of Publication |
Autonomous City of Buenos Aires, Argentine Republic |
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español |
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2953-3805 |
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Notes |
https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ |
Approved |
yes |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2418 |
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Author |
Núñez, María de la Luz |
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Title |
Las portadas de Yana Raymi como una expresión de neobarroco peruano: la resistencia gráfica de los guerreros wankas |
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Journal Article |
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Year |
2023 |
Publication |
UCOARTE. Revista De Teoría E Historia Del Arte |
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12 |
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Pages |
236–260 |
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Keywords |
Yana Raymi (band); Perú; Neobaroque; Aesthetics; Cover Art |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2491 |
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Author |
Olavarría Ginocchio, Ricardo |
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Title |
Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) |
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Book Whole |
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Year |
2019 |
Publication |
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Pages |
153 |
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Keywords |
Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 |
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La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena.
Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ |
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Pontificia Universidad Católica del Perú |
Thesis |
Master's thesis |
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Publisher |
Pontificia Universidad Católica del Perú |
Place of Publication |
Lima, República del Perú |
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Spanish |
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Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2280 |
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Author |
Oliveira, Susane Rodrigues de; Brayner, Thais Nogueira |
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Title |
Feminilidades extremas: gênero, subjetivação e resistência nas letras de autoria de mulheres no metal extremo |
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Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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344-380 |
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Keywords |
Female artists; Extreme metal; Feminity |
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Pimenta Cultural |
Place of Publication |
São Paulo |
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Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2369 |
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Author |
Olsen, Kirk N.; Terry, Josephine; Thompson, William Forde |
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Title |
Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence |
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Journal Article |
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Year |
2022 |
Publication |
Current Psychology |
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Online first |
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Psychology; Aggression |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2301 |
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Author |
Orálková, Lucie |
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Title |
Hudební analýza alba “Peace Sells... But Who’s Buying?” skupiny Megadeth [Musical analysis of the album “Peace Sells... but Who's Buying?” by Megadeth] |
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Year |
2022 |
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Megadeth (band); Peace Sells... But Who’s Buying? (album); Analysis |
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Bachelor's thesis |
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Univerzita Palackého v Olomouci |
Place of Publication |
Olomouc |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2452 |
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